Brave New World By Aldous Huxley Bangla - English Summary, Themes, Characters and Review PD

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Brave New World By Aldous Huxley Bangla - English Summary, Themes, Characters and Review PDF

M.A Final Year
Department of English
Course Name: Modern Novel
Life & Work of Aldous Huxley
Topics: Brave New World By Aldous Huxley
Bangla & English, Characters, Summary And Critical Review
Brave New World By Aldous Huxley Bangla - English Summary, Themes, Characters and Review PDF

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Brave New World By Aldous Leonard Huxley

Perspective and Narrator:

'Brave New World' āωāĻĒāύ্āϝাāϏāϟি āĻāĻ•āϜāύ āϏāϰ্āĻŦāĻĻāϰ্āĻļী āύাāĻŽ āĻĒুāϰুāώেāϰ āĻĻ্āĻŦাāϰা āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে āϝে āĻāχ āĻ—āϞ্āĻĒেāϰ āĻ•োāύ āϚāϰিāϤ্āϰ āύāϝ়। āĻāĻ•েāĻ• āϏāĻŽāϝ় āϏে āĻāĻ•েāĻ• āϚāϰিāϤ্āϰেāϰ āĻĻৃāώ্āϟিāĻ•োāĻŖ āĻšāϤে āĻŦāϰ্āĻŖāύা āĻ•āϰে। āĻ•āĻ–āύো āύাāϝ়āĻ• John The Savager āĻšāϝ়ে āφāĻŦাāϰ āĻ•āĻ–āύো āĻ–āϞāϚāϰিāϤ্āϰ Mustapha mond āĻāϰ āĻĻিāĻ• āĻšāϤে āĻ•āĻĨা āĻŦāϞে।

About The Title:

New World" āĻāĻ•āϟি āĻļāĻŦ্āĻĻāĻ—ুāϚ্āĻ› āϝা āωāχāϞিāϝ়াāĻŽ āĻļেāĻ•্āϏāĻĒিāϝ়āϰেāϰ The Tempest āĻāϰ āĻ…āĻ™্āĻ•-ā§Ģ- āĻāϰ āĻĻৃāĻļ্āϝ-ā§§ āĻšāϤে āύেāϝ়া āĻšāϝ়েāĻ›ে। āĻļāĻŦ্āĻĻāĻ—ুāϚ্āĻ›āĻ—ুāϞো āϰাāϜা āĻĒ্āϰāϏāĻĢেāϰোāϰ āĻ•āύ্āϝা āĻŽিāϰাāύ্āĻĄা āωāϚ্āϚাāϰāĻŖ āĻ•āϰে। āϝা āĻŽূāϞāϤ Brave New World āĻāϰ āύাāϝ়āĻ•েāϰ āĻ…āύāύুāĻŽোāĻĻāύেāϰ āĻŦাāĻšিāϰেāϰ āϜāĻ—ā§ŽāĻ•ে āύিāϝ়ে āĻĒ্āϰাāϰāĻŽ্āĻ­িāĻ• āωāϤ্āϤেāϜāύা āϏেāχ āϏাāĻĨে āϤাāϰ āĻĒ্āϰāϤাāϰāĻŖাāĻĒূāϰ্āĻŖ āύেāϤৃāϤ্āĻŦ āĻ“ āĻ…āĻ—āĻ­ীāϰāϤাāϰ āĻŦ্āϝাāĻĒাāϰে āϤাāϰ āĻŽāϧ্āϝে āϜāύ্āĻŽ āĻĻেāϝ়া āĻ­āϝ়āĻ•ে āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻ•āϰে।

Setting:

āĻĒ্āϰাāĻĨāĻŽিāĻ•āĻ­াāĻŦে āωāĻĒāύ্āϝাāϏāϟি āϞāύ্āĻĄāύে āϧাāϰāĻŖ āĻ•āϰা āĻšāϝ়। āϝāĻĻিāĻ“ āĻ…āύেāĻ•āĻ—ুāϞো āϚেāύাāϰ āĻ…āύেāĻ•āĻ—ুāϞো āĻŦৈāĻļিāώ্āϟ্āϝ āϞāύ্āĻĄāύে āĻĻেāĻ–া āϝাāϝ় āϤāĻŦুāĻ“ āϏেāĻ–াāύে āύāϤুāύ āĻŦিāĻļ্āĻŦেāϰ āϏাāĻĨে āĻ–াāĻĒ āĻ–াāϝ় āĻāĻŽāύ āύāϤুāύ āĻ•িāĻ›ুāĻ“ āϰāϝ়েāĻ›ে āϝেāĻŽāύ āĻļ্āĻŽāĻļাāύেāϰ āύিāϰ্āĻŽোāĻ• āĻāĻŦং āĻĻ্āϝ āĻ•āϞেāϜ āĻ…āĻŦ āχāĻŽোāĻļāύাāϞ āχāĻž্āϜিāύিāϝ়াāϰিং। āϤাāϰāĻĒāϰ āϞāύ্āĻĄāύ āĻšāϤে āύিāωāĻŽেāĻ•্āϏিāĻ•োāϤে āĻ›োāϟ āĻāĻ•āϟি āĻĒāϰিāĻŦāϰ্āϤāύ āϏূāϚিāϤ āĻšāϝ় āϝেāĻ–াāύে āĻ•িāύা āĻŦāϰ্āĻŦāϰāϤাāϰ āĻ…āύুāĻŽোāĻĻāύ āϰāϝ়েāĻ›ে। āϏāĻŽāϝ়āϟা āĻ­āĻŦিāώ্āĻ¯ā§Ž āĻ āϝেāĻ–াāύে āϜীāĻŦāύেāϰ āĻĒ্āϰāϤিāϟি āĻ•্āώেāϤ্āϰে āĻŦৈāϜ্āĻžাāύিāĻ• āωāύ্āύāϤি āĻĒ্āϰāϤ্āϝāĻ•্āώāĻŽাāύ āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώে āĻŦিāϜ্āĻžাāύ āϝেāύ āĻĻেāĻŦāϤাāϤে āĻĒāϰিāĻŖāϤ āĻšāϝ় āĻŽাāύুāώেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦিāϧি āĻĒāϰিāϚাāϞāύাāϰ āĻŽাāϧ্āϝāĻŽে; āĻŦিāĻļেāώāϤ āωāĻĒāϰেāϰ āĻļ্āϰেāĻŖীāϰ।

āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧেāϰ āĻĢāϞাāĻĢāϞেāϰ āϜāύ্āϝ āϏাāϧাāϰāĻŖ āĻŽেāϜাāϜ āϤিāĻ•্āϤ āĻ…āϤীāϤেāϰ āϜāύ্āϝ āĻ•াāύ্āύাāϝ় āĻ­েāϏে āϝাāϝ় āĻāĻŦং āĻāĻ•āϟি āĻ•াāϞ্āĻĒāύিāĻ• āϏāĻŽাāϜেāϰ āϏāύ্āϧাāύ āϚাāϝ়। āϝāĻ–āύ ā§§ā§¯ā§Šā§¨ āϏাāϞে āĻšাāϏāϞি āϤাāϰ āĻāχ āωāĻĒāύ্āϝাāϏāϟি āϞিāĻ–েāύ āϤāĻ–āύ āϤিāύি āϤাāϰ āϏāĻŽāϏাāĻŽāϝ়িāĻ• āϏāĻŽাāϜ āĻšāϤে āϤা āύেāύ āĻāĻŦং āĻāĻ•āϟি āϚূāĻĄ়াāύ্āϤ āĻ—āĻ āύেāϰ āϰূāĻĒ āĻĻেāύ, āĻŦিāϜ্āĻžাāύেāϰ āĻĻেāĻŦāϤ্āĻŦাāϰোāĻĒ āĻ“ āϏāϰ্āĻŦāĻ—্āϰাāϏী āĻāĻŦং āφāĻŦেāĻ—েāϰ āϝāύ্āϤ্āϰāĻŦিāĻĻ্āϝাāϰ āĻĻ্āĻŦাāϰা āĻĒāϰিāϚাāϞিāϤ āĻāĻ•āϟি āĻĒৃāĻĨিāĻŦী āϏৃāώ্āϟি āĻ•āϰেāύ। āϤাāϰ āϜāύ্āϝ āϝে āĻĒ্āϰেāϰāĻŖা āĻĻāϰāĻ•াāϰ āϤা āϏে āĻ•াāϰ্āϞ āĻŽাāϰ্āĻ•āϏ, āĻšেāύāϰি āĻĢāϰ্āĻĄ, āĻĢ্āϰāϝ়েāĻĄেāϰ āĻ•াāĻ› āĻšāϤে āĻĒাāύ।

Characters (āϚāϰিāϤ্āϰāϏāĻŽূāĻš)

John The Savage

āωāĻĒāύ্āϝাāϏেāϰ āĻŽূāϞ āύাāϝ়āĻ• āϝে āĻ•িāύা āϞেāĻ–āĻ•েāϰ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—িāĻ•ে āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻ•āϰে। āϏে āĻāĻ•āϟি āĻ…āύāύুāĻŽোāĻĻāύেāϰ āĻŽāϧ্āϝে āϜāύ্āĻŽāĻ—্āϰāĻšāĻŖ āĻ•āϰে āĻāĻŦং āĻŦেāĻĄ়ে āωāĻ েāĻ›ে।

Mustapha Mond

āĻĒāĻļ্āϚিāĻŽ āχāωāϰোāĻĒ āĻāϰ āĻ…āϧিāĻŦাāϏীāĻĻেāϰ āύিāϝ়āύ্āϤ্āϰāĻ•েāϰ āĻĒাāĻļাāĻĒাāĻļি āĻŦিāĻļ্āĻŦ āύিāϝ়āύ্āϤ্āϰāĻ•āĻĻেāϰ āĻĻāĻļ āϜāύেāϰ āĻāĻ•āϜāύ āϏে। āĻŦিāĻļ্āĻŦেāϰ āϏāĻ•āϞ āϐāϤিāĻš্āϝ āĻāĻŦং āϰীāϤিāύীāϤিāϰ āϏাāĻĨে āĻĒāϰিāϚিāϤ āĻĨাāĻ•াāϝ় āϤিāύিāχ āύāϤুāύāĻĻেāϰ āϜāύ্āϝ āĻĒ্āϰāϧাāύ āĻŽুāĻ–āĻĒাāϤ্āϰ।

Bernard Marx

āϏে āĻāĻ•āϜāύ āĻļ্āϰāĻŽিāĻ• āϝে āĻ•িāύা āĻŽāύāϏ্āϤāϤ্āϤ্āĻŦ āĻĻāĻĒ্āϤāϰেāϰ āϏাāĻĨে āϏংāϝুāĻ•্āϤ āφāĻ›ে। āĻļুāϰু āĻšāϤেāχ āϤাāϰ āϚেāĻšাāϰা āĻ“ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āϜāύ্āϝ āĻāĻ•া āϏে।

Leniana Crowne

āϏে āĻš্āϝাāϚাāϰিāϤে āĻāĻ•āϜāύ āϏেāĻŦিāĻ•া। āϏে āĻ…āϏাāϧাāϰāĻŖ āϏুāύ্āĻĻāϰী। āϏে āĻāĻ•āχ āϏাāĻĨে āĻĢāϏ্āϟাāϰ āĻāĻŦং āĻŽাāϰ্āĻ•্āϏেāϰ āϏাāĻĨে āϏāĻŽāϝ় āĻ•াāϟাāϝ় āĻĒāϰāĻŦāϰ্āϤীāϤে āϏāĻŽāϝ়ে āĻŽাāϰাāϤ্āĻŽāĻ•āĻ­াāĻŦে āϏে āĻŽি. āĻŽ্āϝাāĻ­েāϜ āĻāϰ āĻĒ্āϰāϤি āφāĻ•ৃāώ্āϟ āĻšāϝ়।

Helmholtz. Watson

āϏে āĻŽাāϰাāϤ্āĻŽāĻ• āϏুāĻĻāϰ্āĻļāύ āĻāĻ•āϜāύ āĻŦ্āϝāĻ•্āϤি āϝে āĻĒেāĻļাāĻ—āϤāĻ­াāĻŦে āĻāĻ•āϜāύ āĻ…āϧ্āϝাāĻĒāĻ•। āϏাāĻĨে āϏাāĻĨে āϏে āĻāĻ•āϜāύ āĻ…āϧ্āϝāϝ়āύāϰāϤ āĻŽāύোāĻĒ্āϰāĻ•ৌāĻļāϞী āĻāĻŦং āĻāĻ•āϜāύ āϞেāĻ–āĻ•।

Linda 

āϏে āϜāύেāϰ āĻŽা āĻāĻŦং āĻš্āϝাāϚাāϰিāϰ āĻŽাāϞিāĻ•েāϰ āϏাāĻŦেāĻ• āĻĒ্āϰেāĻŽিāĻ•া।

Fanny Crowne

āϞিāύিāϝ়াāϰ āĻāĻ•āϜāύ āϤāϰুāĻŖ āĻŦāύ্āϧু। āϏে āϏāĻ–ীāϰ āĻĻাāϝ়িāϤ্āĻŦ āĻĒাāϞāύ āĻ•āϰে āφāĻŦাāϰ āϏে āĻ•āĻ–āύো āĻ•āĻ–āύো āωāĻĒāĻĻেāώ্āϟাāĻ“।

Benito Hoover

āĻāĻ•āϜāύ āĻŽাāύুāώ āϝে āĻ•িāύা āĻ•ুāĻ–্āϝাāϤāĻ­াāĻŦে āĻ­াāϞ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āϜāύ্āϝ āĻĒāϰিāϚিāϤ। āϤাāϰ āĻšাāϏিāĻ–ুāĻļি āĻŽেāϜাāϜ āϤাāϰ āĻ—োāϞāĻ—াāϞ āϞাāϞ āϰং āĻāϰ āĻŽুāĻ–ে āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻšāϝ় āĻāĻŦং āϏে āϏāĻŽ্āĻĒূāϰ্āĻŖ āφāĻ•্āϰোāĻļ āĻŽুāĻ•্āϤ।

The Director of Hatcheries

āϏ্āϝাāĻ­েāϜেāϰ āĻŦাāĻŦা āϝাāϰ āĻĄাāĻ•āύাāĻŽ āϟāĻŽাāϰ্āĻ•িāύ। āĻ…āϧিāĻ•āϤāϰ āϏে āĻāĻ•āϜāύ āϜাঁāĻ•āϜāĻŽāĻ•āĻĒূāϰ্āĻŖ āĻāĻŦং āĻ…āύāĻŽāύীāϝ় āĻŽাāύুāώ āϝে āϤাāϰ āĻĒāĻĻ āĻ…āĻĒāĻŽাāύে āĻ›েāĻĄ়ে āĻĻেāϝ়।

Miss Keate

āĻāϟāύেāϰ āĻĒ্āϰāϧাāύ āĻļিāĻ•্āώিāĻ•া। āϏে āĻŽাāϰ্āĻ•্āϏেāϰ āĻĻ্āĻŦাāϰা āφāĻ•ৃāώ্āϟ āϤাāϰ āĻ•াāϰāĻŖ āϏ্āϝাāĻ­েāϜেāϰ āϏাāĻĨে āϤাāϰ āϏāĻŽ্āĻĒৃāĻ•্āϤāϤা।

Henry Foster

āĻāĻ•āϟি āĻŦāĻ•্āϤাāϰ āϏুāύ্āĻĻāϰ āϚুāϞেāϰ āĻ…āϧিāĻ•াāϰী āϤāϰুāĻŖ। āϏে āϏāϰ্āĻŦāĻĻা āĻāĻ•āϟি āĻļāϰ্āϤāĻĒূāϰ্āĻŖ āϜীāĻŦāύ āϝাāĻĒāύে āϏুāĻ–ী।

āĻŦাংāϞা āϏাāĻŽাāϰি āĻŦা āϏাāϰাংāĻļ (Bangla Summary)

Brave New World' āωāĻĒāύ্āϝাāϏāϟি āĻāĻ•āϟি āĻ…āϏ্āĻŦāϚ্āĻ›āύ্āĻĻāĻ­াāĻŦে āĻŦāύ্āϧ্āϝা āĻāĻŦং āύিāϝ়āύ্āϤ্āϰিāϤ āφāϧুāύিāĻ• āϏāĻŽাāϜāĻ•ে āĻĻিāϝ়ে āĻļুāϰু āĻšāϝ় āϝা āϏাāϧাāϰāĻŖāϤ “āĻŦিāĻļ্āĻŦ āĻ…āĻŦāϏ্āĻĨা" āύাāĻŽে āĻĒāϰিāϚিāϤ। āĻāĻ•āĻĻāϞ āĻ›াāϤ্āϰ āϤাāĻĻেāϰ āĻāĻ•āϟি āĻĢ্āϝাāĻ•্āϟāϰি • āĻĒāϰিāĻĻāϰ্āĻļāύেāϰ āϜāύ্āϝ “āϞāύ্āĻĄāύ āĻš্āϝাāϚাāϰী āĻāύ্āĻĄ āĻ•āύ্āĻĄিāĻļāύিং āϏেāύ্āϟাāϰ" āĻāϰ āĻĒāϰিāϚাāϞāĻ• āϝাāϰ āύাāĻŽ āĻĻ্āϝ āĻĄিāϰেāĻ•্āϟāϰ āϤাāϰ āĻĒāĻ•্āώ āĻšāϤে āϤাāϰা āĻ āĻ­্āϰāĻŽāĻŖ āĻ—্āϰāĻšāĻŖ āĻ•āϰে। āϝা āĻ•িāĻ›ুāϟা āωāϤ্āϤেāϜāύাāĻĒূāϰ্āĻŖ।

āĻĄিāϰেāĻ•্āϟāϰ āĻ›াāϤ্āϰāĻĻেāϰ āĻ•াāĻ›ে āĻĒ্āϰāĻ•্āϰিāϝ়াāϰ āĻ•āĻĨা āĻŦ্āϝাāĻ–্āϝা āĻ•āϰেāύ āϝাāϰ āĻŽাāϧ্āϝāĻŽে āĻŽাāύুāώ āĻ­িāϤāϰে āĻ­িāϤāϰে āĻŦেāĻĄ়ে āωāĻ ে āĻāĻŦং āϤাāϰāĻĒāϰ āύৈāϤিāĻ• āĻ•িāĻ›ু 'āϏāϤ্āϝ' āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦ্āϰেāύ āĻ“āϝ়াāϏāĻĄ āĻ•āϰা āĻšāϝ়। āĻāχ āϏāϤāϰ্āĻ•āĻ•āϰāĻŖ āύাāĻ—āϰিāĻ•āĻĻেāϰāĻ•ে āĻŦ্āϝāĻ•্āϤিāϰ āωāĻĒāϰ āϏāĻŽাāϜāĻ•ে āĻŽূāϞ্āϝাāϝ়āύ āĻ•āϰāϤে āύিāϰ্āĻĻেāĻļāύা āĻĒ্āϰāĻĻাāύ āĻ•āϰে। āĻĒ্āϰāϤ্āϝেāĻ•āϟি āĻŦ্āϝāĻ•্āϤি āϏāĻŽাāϜāĻ•ে āϏেāĻŦা āĻĒ্āϰāĻĻাāύ āĻ•āϰাāϰ āϜāύ্āϝāχ āĻŦেঁāϚে āĻĨাāĻ•ে। āϤাāĻĻেāϰ āĻ•াāϜ āϝে āĻĻেāĻļেāϰ āĻ…āϰ্āĻĨāύীāϤিāĻ•ে āϏ্āĻĨিāϰ āĻāĻŦং āĻļāĻ•্āϤিāĻļাāϞী āϰাāĻ–াāϰ āϜāύ্āϝ āϤাāĻĻেāϰāĻ•ে āĻ­োāĻ•্āϤা āĻāĻŦং āĻļ্āϰāĻŽিāĻ•েāϰ āĻĻাāϝ়িāϤ্āĻŦ āĻĒাāϞāύ āĻ•āϰāϤে āĻšāϝ়। āĻĒāϰ্āϝাāĻĒ্āϤ āĻĒāϰিāĻŖাāĻŽ āĻ•াāĻĒāĻĄ় āĻ•িāύাāϰ āĻŽাāϧ্āϝāĻŽে āĻ•িংāĻŦা āĻĒāϰ্āϝাāĻĒ্āϤ āϝাāύāĻŦাāĻšāύ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻŽাāϧ্āϝāĻŽে āϤুāĻŽি āϤোāĻŽাāϰ āĻ•াāϜ āĻ•āϰ। āĻāχ āĻĒāĻĻ্āϧāϤিāϟাāĻ•ে āφāϰো āϏāĻšāϜāĻ­াāĻŦে āϚাāϞাāύোāϰ āϜāύ্āϝ āĻŽāύুāώ্āϝāĻ•ূāϞāĻ•ে āĻ…āύেāĻ•āĻ—ুāϞো āĻļ্āϰেāĻŖিāϤে āĻ­াāĻ— āĻ•āϰা āĻšāϝ়:-
  • āφāϞāĻ•াāĻŽ
  • āĻŦিāϟাāϏ
  • āĻ—াāĻĨাāϟে
  • āĻ­েāύ্āϟাāϏ
  • āĻĄ্āϰাāĻŽ āϰোāϞ
  • āĻāĻĒāϏিāϞāύāϏ
  • āφāϰো āĻ•āϤ āĻ•িāĻ›ু।
āφāϞāĻĢাāϏāϰা āϏুāĻĻāϰ্āĻļāύ, āϞāĻŽ্āĻŦা āĻāĻŦং āĻĒেāĻļীāĻŦāĻšুāϞ। āĻāĻĒāϏিāϞāύাāϰ āĻ–াāϟো, āĻŽূāĻ• āĻāĻŦং āĻĻেāĻ–āϤে āĻ•ুā§ŽāϏিāϤ। āĻāχ āĻŽাāύুāώāĻ—ুāϞো āĻŽāύে āĻ•āϰে āφāϞāĻĢাāϏāĻĻেāϰ āĻ•াāĻ› āĻšāϤে āĻĻূāϰে āĻĨাāĻ•াāϰ āϏāϰ্āĻŦোāϤ্āϤāĻŽ āωāĻĒাāϝ় āĻšāϚ্āĻ›ে āφāϞāĻĢাāϏāϰা āϝāĻ–āύ āϟিāωāĻŦেāϰ āĻŽāϧ্āϝেāχ āĻĨাāĻ•ে āϤāĻ–āύ āϏেāĻ–াāύে āĻŦিāĻĒāĻĻāϜāύāĻ• āωāĻĒাāĻĻাāύ āĻĻিāϝ়ে āĻĻেāϝ়া। āĻāχ āĻŦ্āϝাāĻĒাāϰে āϤাāϰা āĻ…্āϝাāϞāĻ•োāĻšāϞ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻĒাāĻļাāĻĒাāĻļি āϤাāϰা āĻ…āĻ•্āϏিāϜেāύেāϰ āĻĒāĻĻāϚ্āϝুāϤি āϘāϟাāϝ়। āφāĻŦাāϰ āύীāϚু āϜাāϤেāϰ āĻŽাāύুāώāϰা āϏংāϘāĻŦāĻĻ্āϧāĻ­াāĻŦে āϜāύ্āĻŽāĻ—্āϰāĻšāĻŖ āĻ•āϰে āϝাāϤে āĻāĻ•āĻļ āĻāĻĒāϏিāϞāύ āϝেāύ āĻāĻ•ে āĻ…āĻĒāϰেāϰ āύāĻ•āϞ āĻšāϤে āĻĒাāϰে। āĻāĻŦং āϤুāĻŽি āϚিāύ্āϤা āĻ•āϰা āĻāĻ•āϜāύ āĻŦāĻĄ় āĻ­াāχ āĻ•āĻ িāύ āĻ›িāϞ। āϚিāύ্āϤা āĻ•āϰো āύিāϰাāύāĻŦ্āĻŦāχāϟি āĻ•্āϞোāύ āĻĨাāĻ•াāϰ āĻ•āĻĨা āϏাāĻŽāύে āĻĨাāĻ•াāϰ āĻĒাāĻļাāĻĒাāĻļি āφāĻŽāϰা āφāϰো āĻĻুāϜāύ āϚāϰিāϤ্āϰāĻ•ে āĻĒেāϞাāĻŽ āϝাāĻĻেāϰ āύাāĻŽ āϞিāύিāϝ়া āĻ•্āϰাāωāύে āĻāĻŦং āĻšেāύāϰি āĻĢāϏ্āϟাāϰ āϝাāϰা āωāĻ­āϝ়েāχ āĻš্āϝাāϚাāϰিāϤে āĻ•াāϜ āĻ•āϰে।

āϞিāύিāϝ়া āĻ–ুāĻŦ-āχ āϚāĻŽā§ŽāĻ•াāϰ। āĻšেāύāϰি āϤাāĻšাāϰ āϏাāĻĨে āĻļুāϝ়ে āφāĻ›ে। āĻ…āύ্āϝাāύ্āϝ āϏāĻŦাāχāĻ“ āϤাāχ। āĻŦিāĻļ্āĻŦ āĻ…āĻŦāϏ্āĻĨাāϝ় āϝৌāύ āϏāĻšāĻŦাāϏ āĻšāϚ্āĻ›ে āύৈāĻŽিāϤ্āϤিāĻ•, āĻĻৈāύিāĻ• āĻāĻŦং āϏুāϏ্āĻĒāώ্āϟ। āĻĒ্āϰāϤ্āϝেāĻ•েāχ āĻĒ্āϰāϤ্āϝেāĻ•েāϰ āĻŽāϧ্āϝে āĻŦিāϰাāϜ āĻ•āϰে āϝাāϰ āĻ…āϰ্āĻĨ āĻšāϚ্āĻ›ে āϝāĻ–āύ āĻāĻ•āϜāύ āĻĒুāϰুāώ āĻāĻ•āϜāύ āύাāϰীāϰ āϏাāĻĨে āϘুāĻŽাāϤে āχāϚ্āĻ›ে āĻĒোāώāĻŖ āĻ•āϰāĻŦে। āϏে āϜāύāϏāĻŽ্āĻŽুāĻ–ে āĻŦāϞāĻŦে, āϚāϞ āϝৌāύ āϏāĻšāĻŦাāϏ āĻ•āϰি āĻāĻŦং āĻ…āύ্āϝāϜāύ āωāϤ্āϤāϰ āĻĻেāϝ় āĻ িāĻ• āφāĻ›ে। āĻāĻŽāύāĻ•ি āĻ›োāϟ āĻ›োāϟ āĻŦাāϚ্āϚাāϰাāĻ“ āϜিāĻĒাāϰ āĻ…āύুāϏāύ্āϧাāύেāϰ āĻ–েāϞা āĻ–েāϞāĻŦে āĻāĻ•ে āĻ…āĻĒāϰেāϰ āϏাāĻĨে āĻāχ āĻŦিāĻļ্āĻŦেāϰ āφāϰ āĻāĻ•āϟি āĻŦāĻĄ় āĻ•াāϜ āĻšāϚ্āĻ›ে “āϏোāĻŽা' āύাāĻŽেāϰ āĻāĻ• āϧāϰāύেāϰ āĻŽাāĻĻāĻ• āĻ—্āϰāĻšāĻŖ āĻ•āϰা āϝা āϤাāϰ āĻŦ্āϝāĻŦāĻšাāϰāĻ•াāϰীāĻĻেāϰāĻ•ে āϏ্āĻĨাāϝ়ীāĻ­াāĻŦে āϚাāύ্āĻĻ্āϰāĻ­ূāϤ āĻ•āϰে āϝা āĻŽূāϞāϤ āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĒāϞাāϝ়āύেāϰ āĻāĻ•āϟি āϰাāϏ্āϤা। āĻāχāϏāĻŦ āϤāĻĨ্āϝ āφāĻŽāϰা āĻĄিāϰেāĻ•্āϟāϰেāϰ āĻŽাāϧ্āϝāĻŽে āϏāĻĢāϰāĻ•াāϞীāύ āĻĒাāχ; āĻŦাāĻ•ী āϤāĻĨ্āϝ āĻŽোāϏ্āϤāĻĢা āĻŽāĻŖ্āĻĄ āύাāĻŽāĻ• āĻāĻ•āϜāύ āĻŦāĻĄ় āĻ•াāϰāĻŦাāϰি āϝে āĻ•িāύা āĻŦিāĻļ্āĻŦ āύিāϝ়āύ্āϤ্āϰāĻ• āĻĻāĻļ āϜāύেāϰ āĻāĻ•āϜāύ āϤাāϰ āĻŽাāϧ্āϝāĻŽে āĻĒ্āϰāĻĻাāύ āĻ•āϰা āĻšāϝ়।

āĻŽোāϏ্āϤāĻĢা āĻŽāĻŖ্āĻĄ āĻāĻ•āχ āĻ›াāϤ্āϰ āĻĻāϞেāϰ āϏাāĻĨে āĻ•িāĻ­াāĻŦে āĻāχ āϏāĻŽাāϜ āĻāϞ āϤা āĻŦ্āϝাāĻ–্āϝা āĻ•āϰে। āϏংāĻ•্āώিāĻĒ্āϤ āϰূāĻĒāϟা āĻāĻŽāύ āϝে, āĻĻুāύিāϝ়া āφāϏ্āϤে āφāϏ্āϤে āĻ…āύিāϝ়āύ্āϤ্āϰāĻŖāϝোāĻ—্āϝ āĻšāϝ়ে āϝাāϝ় āϝāϤāĻ•্āώāĻŖ āĻĒāϰ্āϝāύ্āϤ āύা āĻŦিāĻļ্āĻŦেāϰ āϜāύāϏংāĻ–্āϝা āĻāĻ•āϤ্āϰিāϤāĻ­াāĻŦে āĻŦāϞে āϝে, āφāĻŽāϰা āφāϰ āĻāϏāĻŦ āύিāϤে āĻĒাāϰāĻ›ি āύা āφāĻŽাāĻĻেāϰ āϏāĻŦ āϏ্āĻŦাāϧীāύāϤা āĻāĻŦং āϏ্āĻŦাāϤāύ্āϤ্āϰāĻŦোāϧ āύিāϝ়ে āύাāĻ“ āĻŦিāĻļ্āĻŦ āϏ্āĻĨিāϰāϤাāϰ āύাāĻŽ āĻ•āϰে। āϏাāĻĨে āϏাāĻĨে āĻ•āϰ্āϤৃāϤ্āĻŦāĻļাāϞীāϰা āĻŦāϞāĻŦে, āĻ িāĻ• āφāĻ›ে। āĻāĻŦং āĻāĻ–āύ āĻāĻ–াāύে āĻ•োāύ āϝুāĻĻ্āϧ āύেāχ, āύেāχ āĻ•োāύ āĻĻুঃāĻ–, āĻ•োāύ āϏ্āĻŦাāϤāύ্āϤ্āϰāĻŦোāϧ āύেāχ, āχāϤিāĻšাāϏ āύেāχ, āφāĻŦেāĻ— āύেāχ, āϏাāĻšিāϤ্āϝ āύেāχ, āĻĒāϰিāĻŦাāϰ āύেāχ, āύেāχ āφāĻŦেāĻ—েāϰ āĻ•োāύ āĻŦāύ্āϧāύ, āĻ•োāύ āĻŦৈāϜ্āĻžাāύিāĻ• āϏ্āĻŦাāϧীāύāϤা āύেāχ, āĻāĻŽāύāĻ•ি āĻ•োāύ āϧāϰ্āĻŽāĻ“ āύেāχ। āĻ•িāύ্āϤু āĻāĻ–āύāĻ“, āϏেāĻ–াāύে āĻĒāϰ্āϝাāĻĒ্āϤ āϝৌāύ āϏāĻšāĻŦাāϏ āϰāϝ়েāĻ›ে।

āϝāĻ–āύ āφāĻŽāϰা āĻāχāϏāĻŦ āϤāĻĨ্āϝেāϰ āϏাāĻĨে āĻĒāϰিāϚিāϤ āĻšāϚ্āĻ›িāϞাāĻŽ āφāĻŽāϰা āφāϰো āĻāĻ•āϜāύ āϚāϰিāϤ্āϰ āϝাāϰ āύাāĻŽ āĻŦাāϰ্āύাāϰ্āĻĄ āĻŽাāϰ্āĻ•্āϏ āϤাāϰ āϏাāĻĨে āĻĻেāĻ–া āĻšāϝ় āĻ•িāύা āĻāĻ•āϜāύ āφāϞāĻĢা āĻĒ্āϞাāϏ āĻŽāύোāĻŦিāĻļেāώāϜ্āĻž। āĻ•িāĻ›ু āĻ•াāϰāĻŖে āĻŦেāĻļিāϰ āĻ­াāĻ— āφāϞাāĻĢাāϏāĻĻেāϰ āĻŽāϤো āϤাāϰ āĻļাāϰীāϰিāĻ• āĻŦৈāĻļিāώ্āϟ্āϝ āύেāχ। āϏে āĻ–াāϟো। āϏে āĻ­িāύ্āύ āĻšāĻ“āϝ়াāχ āϏāϰ্āĻŦāĻĻা āύিঃāϏāĻ™্āĻ— āĻĨাāĻ•ে āĻāĻŦং āĻŦāĻĄ় āĻŦāĻĄ় āĻŦ্āϝাāĻĒাāϰ āύিāϝ়ে āϚিāύ্āϤাāϝ় āĻŽāĻ—্āύ āĻĨাāĻ•ে āϝাāϰ āĻŽāϧ্āϝে āϏে āĻŽāύে āĻ•āϰে āϝāĻĻি āϏāĻŦাāχ āĻ…āĻ­েāĻĻ āĻĒূāϰ্āĻŦāĻ• āĻšāϤো āĻāĻŦং āĻ­াāϞāĻŦাāϏাāĻ•ে āĻ—āĻŽ্āĻ­ীāϰāĻ­াāĻŦে āύিāϤ। āϏে āϏāĻŽ্āĻĒূāϰ্āĻŖāĻ­াāĻŦে āϞিāύিāϝ়াāĻ•ে āϚাāϝ় āĻ•িāύ্āϤু āϤাāϰ āϏাāĻĨে āϏāĻšāĻŦাāϏ āĻ•āϰাāϰ āϚেāϝ়ে āϏে āϤাāĻšাāϰ āϏাāĻĨে āĻĻীāϰ্āϘ āφāϞাāĻĒ āĻ•āϰāϤে āϚাāϝ়। āϤাāϰāĻĒāϰ āϏāĻ•্āώāĻŽ āϏে āϞিāύিāϝ়াāϰ āϏাāĻĨে āĻŦাāĻšিāϰে āϝাāĻŦাāϰ āĻŦ্āϝাāĻĒাāϰে āĻŦāϞে । āϤাāĻ•ে āϞāϜ্āϜাāϝ় āĻĢেāϞে āϞিāύিāϝ়া āϤাāĻĻেāϰ āϏāĻšāĻŦাāϏেāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰে āĻĒāϰāĻŦāϰ্āϤীāϤে āφāĻŽāϰা āĻšেāϞāĻŽāĻšāϟāϜ āĻ“āϝ়াāϟāϏāύেāϰ āϏাāĻĨে āĻĻেāĻ–া āĻ•āϰি āϝে āφāϰো āĻāĻ•āϜāύ āφāϞāĻĢা āĻĒ্āϞাāϏ āĻŽāύোāĻŦিāĻļেāώāϜ্āĻž āϝিāύি āĻŦাāϰ্āύাāĻĄেāϰ āϤাāĻĻেāϰ āύিāϝ়āύ্āϤ্āϰিāϤ āϜীāĻŦāύেāϰ āĻŦ্āϝাāĻĒাāϰে āĻ…āϏāύ্āϤুāώ্āϟিāϰ āĻ•āĻĨা āĻ­াāĻ— āĻ•āϰে āĻ•িāύ্āϤু āϏৌāĻ­াāĻ—্āϝāĻŦāĻļāϤ āĻŦাāϰ্āύাāĻĄেāϰ āĻļাāϰীāϰিāĻ• āĻĻুāϰ্āĻŦāϞāϤাāϰ āĻ•āĻĨা āĻ­াāĻ— āĻ•āϰেāύি। 

āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώেāχ āĻšেāϞāĻŽāϟিāϜ āĻ–ুāĻŦāχ āφāĻ•āϰ্āώāύীāϝ়। āϏে āĻāϤāχ āϏুāύ্āĻĻāϰ āϝে āφāĻŽāϰা āϝāĻ–āύ āĻĒ্āϰāĻĨāĻŽ āϤাāĻ•ে āĻĻেāĻ–ি āϤāĻ–āύ āϤিāύāϜāύেāϰ āĻāĻ•āϟি āĻŽāĻšিāϞা āĻĻāϞ āϤাāĻ•ে āĻĒ্āϰāϏ্āϤাāĻŦ āĻĻেāϝ়। āĻŦāϰং āϏে āĻĒ্āϰāϏ্āϤাāĻŦāϟিāĻ•ে āĻ েāϞে āĻĻেāϝ় āĻāĻŦং āĻŦাāϤাāϏে āĻ—ুāϞি āĻ•āϰে āĻŦাāϰ্āύাāĻĄāĻ•ে āϏাāĻĨে āύিāϝ়ে āϤাāĻĻেāϰ āϜীāĻŦāύāĻ•ে āύিāϝ়ে āϤাāϰা āĻ•āϤ āĻ…āϏāύ্āϤুāώ্āϟ āĻ āĻŦ্āϝাāĻĒাāϰে। āϏাāϰাāĻĻিāύ āϏে āĻšাāχāύোāĻĒেāĻĄিāϝ়া āϞিāĻ–ে āĻāĻŦং āĻŦāϞে āϏে āĻšেāϞāĻŽāĻšāϟ āĻ…āϧিāĻ•āϤāϰ āϤীāĻŦ্āϰ āĻāĻŦং āφāĻŦেāĻ—āĻĒূāϰ্āĻŖ āĻ•িāĻ›ু āϏৃāώ্āϟিāϰ āχāϚ্āĻ›া āĻĒোāώāĻŖ āĻ•āϰে āĻ•িāύ্āϤু āϏে āϜাāύে āύা āϏেāϟি āĻ•ি āĻšāϤে āĻĒাāϰে।

āĻĒāϰāĻŦāϰ্āϤীāϤে āφāϏে āϞিāύিāϝ়াāϰ āϏাāĻĨে āĻŦাāϰ্āύাāĻĄেāϰ āϏāĻŽāϝ় āĻ•াāϟাāύোāϰ āĻĻিāύ। āϏে āϤাāϰ āϏাāĻĨে āĻ•āĻĨা āĻŦāϞে āϏāĻŽāϝ় āĻ•াāϟাāϤে āϚাāϝ় āĻ•িংāĻŦা āĻšাāϤ āϧāϰে āϏāĻŽুāĻĻ্āϰ āϤীāϰে āĻšাঁāϟāϤে āϚাāϝ়। āϏে āĻāχ āĻŦ্āϝাāĻĒাāϰ āϞিāύিāϝ়াāĻ•ে āĻāϞোāĻŽেāϞো āĻ•āϰে āĻĻেāϝ় āϝে āĻ•িāύা āĻŽাāĻĻāĻ• āύিāϤে āϚাāϝ় āĻāĻŦং āϏāĻšāĻŦাāϏ āĻ•āϰāϤে āϚাāϝ়। āĻ…āĻŦāĻļেāώে āĻŦাāϰ্āύাāĻĄ āϤাāĻ•ে āϏāĻŽ্āĻŽোāĻšāύী āϰাāϏ্āϤা āĻĻেāĻ–াāϝ় āĻ•িāύ্āϤু āϤাāϰ āϏাāĻĨে āĻŦিāĻ›াāύাāϝ় āϝাāĻŦাāϰ āφāĻ—ে āϤাāĻ•ে āϏোāĻŽা āύাāĻŽেāϰ āĻŽাāĻĻāĻ• āĻ—্āϰāĻšāĻŖ āĻ•āϰāϤে āĻšāĻŦে। āĻĒāϰāĻŦāϰ্āϤী āĻĻিāύ āϏāĻ•াāϞে āϏে āĻĻুঃāĻ– āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে āĻāĻŦং āĻŦāϞে āϝে, āϏāĻšāĻŦাāϏে āϝাāĻŦাāϰ āϜāύ্āϝ āϤাāĻĻেāϰ āĻ…āĻĒেāĻ•্āώা āĻ•āϰা āωāϚিā§Ž āĻ›িāϞ।

āϏে āĻāĻ•āϜāύ āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ• āĻšāϤে āϚাāϝ়, āĻļিāĻļু āĻšāϤে āϚাāϝ় āύা āϏে āĻĻেāĻ–āϤে āϚাāϝ় āĻ•াāĻŽāύা āĻāĻŦং āĻ•াāĻŽāύা āĻĒূāϰāĻŖেāϰ āĻŽāϧ্āϝেāϰ āϏāĻŽāϝ়āϟাāϤে āĻ•ি āϘāϟে। āϞিāύিāϝ়া āϤা āĻŦুāĻāϤে āĻĒাāϰেāύি। āϤাāχ āĻāχāϏāĻŦ āĻ•āĻ িāύ āĻāĻŦং āĻ…āϏ্āĻŦāϚ্āĻ›āύ্āĻĻāĻĒূāϰ্āĻŖ āĻļāϰ্āϤেāϰ āωāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āϞিāύিāϝ়া āύিāωāĻŽেāĻ•্āϏিāĻ•োāϤে āĻ…āĻŦāĻ•াāĻļে āϝাāĻŦাāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰে। āĻŦāϰ্āĻŦāϰ āĻ…āύিāϚ্āĻ›া āĻ•ি āϤুāĻŽি āϜাāύāϤে āϚাāχāϤে āĻĒাāϰ। āĻŽূāϞāϤ āĻŦিāĻļ্āĻŦেāϰ āĻāĻ•āϟা āĻ…ংāĻļ āϝা āĻ•িāύা āĻĒ্āϰāϝুāĻ•্āϤি / āĻŽāύ āύিāϝ়āύ্āϤ্āϰāĻŖেāϰ āĻ—āϤিāĻ•ে āĻĒোāώāĻŖ āĻ•āϰāϤে āĻĒাāϰেāύি। āϏে āϚāϞে āϝাāĻŦাāϰ āφāĻ—ে āϤাāĻ•ে āĻĄিāϰেāĻ•্āϟāϰেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻŦিāĻĻাāϝ় āύিāϤে āĻšāϝ় āϝে āĻ•িāύা āϤাāϰ āĻŦāϏ। āĻĄিāϰেāĻ•্āϟāϰ āϜাāύাāϝ় āϝāĻ–āύ āϏে āϤāϰুāĻŖ āĻ›িāϞ āϏে āĻāĻ•āϜāύ āĻŽāĻšিāϞাāϰ āϏাāĻĨে āϏংāϰāĻ•্āώāĻŖāĻļাāϞাāϝ় āĻ—িāϝ়েāĻ›িāϞ।

āϤাāϰāĻĒāϰ āϏে āĻŽāĻšিāϞাāϟিāĻ•ে āĻšাāϰিāϝ়ে āĻĢেāϞে। āϏংāϰāĻ•্āώāĻŖāĻļাāϞাāĻ­েāχ āĻšাāϰিāϝ়ে āϝাāϝ় āĻāĻŦং āϤাāϰা āϤাāĻ•ে āĻ–ুঁāϜে āĻĒাāϝ় āύা āϝাāϰ āϜāύ্āϝ āϤাāĻ•ে āĻāĻ•াāχ āĻŦাāĻĄ়ি āĻĢিāϰāϤে āĻšāϝ়। āĻŦাāϰ্āύাāĻĄ āĻāĻ•āϜāύ āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ•েāϰ āĻŽāϤ āĻ…āĻ­িāύāϝ় āĻļুāϰু āĻ•āϰে āĻāĻ•āϜāύ āĻŦাāϚ্āϚাāϰ āĻĒāϰিāĻŦāϰ্āϤে। āφāĻĒাāϤāĻĻৃāώ্āϟিāϤে āϏāĻŦাāχ āϜাāύে āĻŦāύ্āϧ āĻĻāϰāϜাāϰ āĻ­িāϤāϰে āĻ•ি āĻšāϚ্āĻ›ে। āĻŦাāϰ্āύাāĻĄ āĻŦিāĻĻ্āϰোāĻšীāϰ āĻŽāϤ āĻŦ্āϝāĻŦāĻšাāϰ āĻļুāϰু āĻ•āϰে āϝেāύ āϏে āϏāĻŽāϏ্āϤ āύিāϝ়āĻŽ āύীāϤি āĻ­েāĻ™্āĻ—ে āĻŦ্āϝāĻ•্āϤি āĻšিāϏেāĻŦে āύিāϜেāĻ•ে āĻĒ্āϰāϤিāώ্āĻ িāϤ āĻ•āϰেāĻ›ে।

āϤাāϰāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āϞিāύিāϝ়াāϰ āϏাāĻĨে āϤাāϰ āĻ­্āϰāĻŽāĻŖে āĻŦেāϰ āĻšāϝ়। āĻĻূāϰ্āĻ­াāĻ—্āϝāĻŦāĻļāϤ āĻšেāϞāĻšেāϟāϜেāϰ āĻĢোāύ āĻ•āϞেāϰ āĻŽাāϧ্āϝāĻŽে āϏে āϜাāύāϤে āĻĒাāϰে āϝে, āĻĄিāϰেāĻ•্āϟāϰ āϤাāĻ•ে āĻāĻ•āϟি āĻĻ্āĻŦীāĻĒে āύিāϰ্āĻŦাāϏāύ āĻĻেāĻ“āϝ়াāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰāĻ›ে। āϤাāϰāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āĻ•িāĻ›ুāĻ•্āώāĻŖ āϘ্āϝাāύāϘ্āϝাāύাāύি āĻ•āϰে, āφāĻŦোāϞ āϤাāĻŦোāϞ āĻŦāϞে āϏোāĻŽা āĻ—্āϰāĻšāĻŖ āĻ•āϰে āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĻূāϰে āϏāϰে āϝাāϝ়। āĻŦাāϚ্āϚাāϰা āĻŽāύেāϰেāĻ–, āĻŽাāĻĻāĻ•āχ āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰ āύāϝ়।

āχāϤিāĻŽāϧ্āϝে āĻ…āĻŦāĻ•াāĻļ āϚāϞāĻŽাāύ āϝাāϰ āĻŽাāύে āĻšāϚ্āĻ›ে āϏংāϰāĻ•্āώāĻŖāĻļাāϞাāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻāĻŽāύ। āϏেāĻ–াāύে āϝা āĻĻেāĻ–েāĻ›ে āϤাāϤে āϞিāύিāϝ়া āĻ­ীāϤ। āĻĒ্āϰāϤ্āϝেāĻ•েāχ āϏেāĻ–াāύে āύোংāϰা। āϏāĻŦাāϰ āĻĒāϰিāϧেāϝ় āĻ•াāĻĒāĻĄ় āĻ›েāĻĄ়া āĻāĻŽāύāĻ•ি āϏāĻŦāĻ•িāĻ›ুāχ āĻĻুāϰ্āĻ—āύ্āϧāĻŽāϝ়। āĻ…āύ্āϝāĻĻিāĻ•ে, āĻŦাāϰ্āύাāĻĄ āϏāϰ্āĻŦāĻĻা āĻŦৈāϜ্āĻžাāύিāĻ• āĻĒ্āϰāϤ্āϝাāĻļা āĻšāϤে āĻŦāϰ্āĻŦāϰāĻĻেāϰāĻ•ে āĻĒāϰ্āϝāĻŦেāĻ•্āώāύে āĻŦ্āϝāϏ্āϤ। āĻ­্āϰāĻŽāύেāϰ āϏāĻŽāϝ় āϤাāϰা āĻāĻ•āϟি āϧāϰ্āĻŽীāϝ় āύাāϚ āĻĻেāĻ–ে āϝেāĻ–াāύে āĻāĻ•āϜāύ āĻŦ্āϝāĻ•্āϤি āĻĒ্āϰāĻ­ুāĻ•ে āĻ–ুāĻļি āĻ•āϰাāϰ āϜāύ্āϝ āχāϚ্āĻ›াāĻ•ৃāϤāĻ­াāĻŦেāχ āύিāϜেāĻ•ে āύিāϜে āĻĒ্āϰāĻšাāϰ āĻ•āϰāĻ›ে।

āĻĒāϰāĻŦāϰ্āϤীāϤে āϤাāϰা āϜāύ āύাāĻŽেāϰ āĻāĻ•āϜāύ āϏাāĻĻা āĻŽাāύুāώেāϰ āĻĻ্āĻŦাāϰা āĻ…āĻ—্āϰāĻŦāϰ্āϤী āĻšāϝ়। āϜāύ āĻāχ āϏংāϰāĻ•্āώāĻŖāĻļাāϞাāϤেāχ āĻŦেāĻĄ়ে āωāĻ েāĻ›ে। āĻ—āϞ্āĻĒāϟা āĻāĻŽāύ āϝে, āĻ…āύ্āϝ āĻ•োāύ āϜাāϝ়āĻ—া āĻšāϤে āϤাāϰ āĻŽা āĻāĻ–াāύে āφāϏে āĻāĻŦং āĻ…āϏāĻšাāϝ় āĻšāϝ়ে āĻĒāĻĄ়ে। āĻĒāϰāĻŦāϰ্āϤীāϤে āϏে āϜāύāĻ•ে āϜāύ্āĻŽ āĻĻেāϝ়। āĻŦাāϰ্āύাāĻĄ āĻĻুāϜāύāĻ•ে āĻĒাāĻļাāĻĒাāĻļি āϰেāĻ–ে āĻŦুāĻāϤে āĻĒাāϰে āϝে, āϜāύ āĻĄিāϰেāĻ•্āϟāϰেāϰ āĻ›েāϞে।

āĻĒāϰāĻ•্āώāύে, āϜāύ āĻāĻŦং āϞিāύিāϝ়া āĻāĻ•ে āĻ…āĻĒāϰেāϰ āϏাāĻĨে āĻ—āĻ­ীāϰ āĻĒ্āϰেāĻŽে āĻĒāĻĄ়ে। āϜāύ āϞিāύিāϝ়া āĻāĻŦং āĻŦাāϰ্āύাāĻĄāĻ•ে āϤাāĻĻেāϰ āĻŦাāĻĄ়িāϤে āύিāϝ়ে āφāϏে āĻāĻŦং āĻāĻ–াāύে āφāĻŽāϰা āϤাāϰ āĻŽাāϝ়েāϰ āĻĻেāĻ–া āĻĒাāχ āϝাāϰ āύাāĻŽ āϞিāύ্āĻĄা, āϤিāύি āϞিāύিāϝ়াāϰ āϚেāϝ়েāĻ“ āĻŦিāĻļ āĻŦāĻ›āϰেāϰ āĻŦāĻĄ় āĻšāĻŦেāύ।

āĻāĻ–াāύে āĻ—āϤ āĻŦিāĻļ āĻŦāĻ›āϰ āĻŦাāϏ āĻ•āϰা āĻ…āϤ্āϝāύ্āϤ āĻ…āϤ্āϝাāϚাāϰāĻŽূāϞāĻ•āχ। āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āϜāύ āĻ­াāϞ āĻŦāύ্āϧু āĻšāϞো āĻ•াāϰāĻŖ "āϤাāϰা āĻĻুāϜāύāχ āϤাāĻĻেāϰ āϏāĻŽাāϜ āĻšāϤে āύিঃāϏāĻ™্āĻ—। āĻŦাāϰ্āύাāĻĄেāϰ āĻ•াāϰāύ āĻšāϚ্āĻ›ে āϤাāϰ āĻļাāϰীāϰিāĻ• āϤ্āϰুāϟি āĻ…āύ্āϝāĻĻিāĻ•ে āϜāύেāϰ āĻšāϚ্āĻ›ে āϏেāχ āĻāĻ•āĻŽাāϤ্āϰ āϏাāĻĻা āĻāĻ–াāύে āĻāĻŦং āϤাāϰ āĻŽāϤ āĻ…āύ্āϝāϤ্āϰ āϘুāĻŽাāϝ়। āĻŦাāϚ্āϚা āĻšāϤে āϜāύāĻ•ে āĻ–ুāĻļি āĻšāĻŦাāϰ āĻāĻ•āĻŽাāϤ্āϰ āĻāĻ•āϟা āϜিāύিāϏāχ āφāĻ›ে āφāϰ āϤা āĻšāϚ্āĻ›ে “The complete works of William Shakespeare” āĻāĻ•āϟি āĻŦāχ āϝা āϤাāϰ āĻŽা āϤাāϰ āϜāύ্āϝ āĻ›োāϟāĻŦেāϞাāϝ় āφāύে। āφāϰ āϤাāχ āϜāύ āϏāϰ্āĻŦāĻĻা āĻļেāĻ•্āϏāĻĒিāϝ়āϰেāϰ āωāĻĻ্āϧৃāϤি āĻĻেāϝ় āĻāĻŦং āϏে āĻŽāύে āĻ•āϰে āĻāϟাāχ āύিāϜেāĻ•ে āĻĒ্āϰāĻ•াāĻļ āĻ•āϰাāϰ āϏāϰ্āĻŦোāϤ্āϤāĻŽ āωāĻĒাāϝ়।

āĻŦাāϰ্āύাāĻĄāĻ“ āϤাāχ āĻ•āϰāϤে āĻ…āĻ—্āϰāĻŦāϰ্āϤী āĻšāϝ়। āϏে āĻĢ্āϝাāĻ•্āϟāϰāĻ•ে āĻĻেāĻ–াāϝ় āϝেāĻ–াāύে āĻĄিāϰেāĻ•্āϟāϰ āĻāĻ•āϟি āĻŦāĻĄ় āϧāϰāύেāϰ āωāϤ্āϤেāϜāύা āϏৃāώ্āϟি āĻ•āϰেāĻ›ে āϤাāĻ•ে āϜāύāϏāĻŽ্āĻŽুāĻ–ে āĻ—ুāϞি āĻ›ুāĻĄ়ে āĻāĻŦং āĻāĻ•āϟি āĻĻ্āĻŦীāĻĒে āϤাāĻ•ে āύিāϰ্āĻŦাāϏāύ āĻĻিāϝ়ে। āϜাāύāϤে āĻŦাāĻšিāϰে āĻāύে āĻŦাāϰ্āύাāĻĄ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻŦিāϰোāϧী āĻšāϝ় "āĻ•ে āϏāĻŦ āĻ•িāĻ›ু” āϤা āϏে āϞিāύ্āĻĄাāϰ āĻ•াāĻ›ে āϜাāύāϤে āϚাāϝ়। āϏে āĻŦāϞে āϝে, āĻ āĻŦিāĻļ্āĻŦে āĻŦাāϚ্āϚাāϰা āĻŦোāϤāϞেāϰ āĻ­িāϤāϰ āĻŦেāĻĄ়ে āωāĻ ে, āϜāύ্āĻŽ āύেāϝ় āύা। 'āĻŽা' āĻāĻŦং 'āĻŦাāĻŦা' āĻāχ āϧাāϰāĻŖাāĻ—ুāϞো āύোংāϰা āĻāĻŦং āĻĒ্āϰাāϚীāύ।

āĻāχāĻ­াāĻŦে āĻļুāϰু āĻšāϝ় āĻāĻ•āϟি āĻŦৃāĻšā§Ž āĻāĻŦং āĻ•āϰুāĻŖāϰāϏāĻ­াāĻŦে āĻŦিāĻĒāĻĨে āϚাāϞিāϤ āĻāĻ•āϟি āϏাāĻŽাāϜিāĻ• āĻĒāϰীāĻ•্āώāĻŖ। āϞিāύ্āĻĄা āĻŽāύে āĻ•āϰে āϏে āĻāĻ•āϜāύেāϰ āϜāύ্āϝ āĻ­ুāĻ—েāĻ›ে āφāϰ āϤাāχ āϏāĻŽ্āĻĒূāϰ্āĻŖāϰূāĻĒে āϏোāĻŽাāϤে āφāϏāĻ•্āϤ āĻšāϝ়েāĻ›ে āϝাāϰ āĻŽাāϧ্āϝāĻŽে āϏে āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĻূāϰে āφāĻ›ে। āĻĒ্āϰāϤ্āϝেāĻ•েāχ āϜাāύে āĻ–ুāĻŦ āĻ…āϞ্āĻĒ āϏāĻŽāϝ়েāϰ āĻŽāϧ্āϝে āĻāϟা āϤাāĻ•ে āĻšāϤ্āϝা āĻ•āϰāĻŦে āĻ•িāύ্āϤু āĻ•েāωāχ āĻ āĻŦ্āϝাāĻĒাāϰে āϤাāϰ āĻĒ্āϰāϤি āϏāĻĻāϝ় āύāϝ় āĻāĻ•āĻŽাāϤ্āϰ āϜāύ āĻ›াāĻĄ়া āĻāĻŦং āĻ•েāωāχ āϜāύāĻ•ে āĻļুāύে āύা। āĻŦাāϰ্āύাāĻĄ āϜāύāĻ•ে āϤাāϰ āφāĻŦিāώ্āĻ•াāϰ āĻĻেāĻ–াāϤে āĻļুāϰু āĻ•āϰে āϝা āϤাāĻ•ে āϤাāϰ āĻ–াāϟো āĻšāĻ“āϝ়াāϰ āϜāύ্āϝ āϤাāĻ•ে āĻ•্āώāϤিāĻĒূāϰāĻŖ āĻĻিāĻŦে। āĻāĻ–āύ, āĻāĻ­াāĻŦেāχ āϏে āĻŦিāĻ–্āϝাāϤ। āĻŦাāϰ্āύাāĻĄ āĻāĻ–āύ āϤাāϰ āφāĻ—েāϰ āĻāĻ•āĻ• āϏāϤ্āϤ্āĻŦা āĻšāĻ“āϝ়াāϰ āφāĻ•াāĻ™্āĻ–াāĻ•ে āĻ­ুāϞে āĻ—েāĻ›ে। āĻšেāϞāĻŽāĻšāϟāϜ āĻ…āĻĒāϰāĻĒāĻ•্āώে āϜāύেāϰ āϏাāĻĨে āĻŦāύ্āϧুāϤ্āĻŦ āĻ•āϰে āĻāĻŦং āϤাāϰা āĻĻুāϜāύ āĻāĻ•ে āĻ…āĻĒāϰেāϰ āϏাāĻĨে āϏ্āĻĒāϰ্āĻļāĻ•াāϤāϰ āĻŽুāĻšুāϰ্āϤ āĻ­াāĻ— āĻ•āϰে āĻļেāĻ•্āϏāĻĒিāϝ়āϰেāϰ āĻŦāχāϝ়েāϰ āωāĻĒāϰ āϝা āϜāύ āϏাāĻĨে āĻāύেāĻ›িāϞ।

āχāϤিāĻŽāϧ্āϝে, āϜāύ āϏāĻ­্āϝ āϏāĻŽাāϜেāϰ āϏাāĻĨে āϤāϤāϟা āφāĻ•ৃāώ্āϟ āĻšāϤে āĻĒাāϰেāύি। āϏে āϏāĻŦ āĻĒ্āϰāϝুāĻ•্āϤি āĻāĻŦং āϏ্āĻŦāϚ্āĻ›āύ্āĻĻāĻ•ে āĻĒāĻ›āύ্āĻĻ āĻ•āϰে āĻ•িāύ্āϤু āϝে āĻĒ্āϰāĻ•্āϰিāϝ়াāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻŽাāύুāώ āĻšāϝ় āϤা āϏে āĻĒāĻ›āύ্āĻĻ āĻ•āϰেāύি। āϞিāύিāϝ়াāϰ āĻĒ্āϰāϤি āϤাāϰ āφāϏāĻ•্āϤি āφāĻ›ে āĻ•িāύ্āϤু āϏে āϝেāĻ–াāύ āĻšāϤে āĻāϏেāĻ›ে āϏেāĻ–াāύে āĻŦিāϝ়েāϰ āφāĻ—ে āϏāϤিāϤ্āĻŦ āĻāĻ•āϟি āĻ…āϤীāĻŦ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻŦ্āϝাāĻĒাāϰ। āχāĻšা āϞিāύিāϝ়াāĻ•ে āĻāϞোāĻŽেāϞো āĻ•āϰে āĻĻেāϝ় āϝে āĻ•িāύা āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώে āϜāύেāϰ āϏাāĻĨে āϏāĻšāĻŦাāϏ āϚাāϝ় āĻāĻŦং āϜীāĻŦāύে āĻĒ্āϰāĻĨāĻŽāĻŦাāϰেāϰ āĻŽāϤ āϏে āφāϜ āĻŦ্āϝāϰ্āĻĨ āĻšāϝ়। āϝāĻ–āύ āϏে āϜāύāĻ•ে āϏāĻšāĻŦাāϏেāϰ āĻ•āĻĨা āĻŦāϞে āϜāύ āϤাāĻšাāĻ•ে āĻĒāϤিāϤা āĻšিāϏেāĻŦে āύেāϝ় āĻāĻŦং āĻļেāĻ•্āϏāĻĒিāϝ়āϰেāϰ āĻ•িāĻ›ু āωāĻĻ্āϧৃāϤি āĻļোāύাāϝ়। āϝেāĻ–াāύে āĻŦāϞা āĻšāϝ়েāĻ›ে āĻ•িāĻ­াāĻŦে āĻāĻ•āϜāύেāϰ āĻŦিāϝ়েāϰ āφāĻ—ে āϏāϤীāϤ্āĻŦেāϰ āĻŦāύ্āϧāύ āύা āĻ–োāϞাāϰ āĻ•āĻĨা āĻŦāϞা āĻšāϝ়েāĻ›ে।

āϞিāύ্āĻĄা āĻāĻ–āύো āϏোāĻŽাāϝ় āφāϏāĻ•্āϤ, āϜāύ āĻšাāϏāĻĒাāϤাāϞে āĻĒৌāĻ›াāϰ āĻĒāϰ āĻĒāϰāχ āĻŽৃāϤ্āϝুāĻŦāϰāĻŖ āĻ•āϰে। āϏে āĻĻুঃāĻ– āĻ­াāϰাāĻ•্āϰাāύ্āϤ āĻ•িāύ্āϤু āĻāχ āύāϤুāύ āĻŦিāĻļ্āĻŦে āϏāĻŦাāχāĻ•ে āϏāϤāϰ্āĻ• āĻ•āϰা āĻšāϝ়েāĻ›ে āϝেāĻ–াāύে āĻŽৃāϤ্āϝুāĻ•ে āĻāĻ•āϟি āĻŦāĻĄ় āϧāϰāύেāϰ āĻŦ্āϝাāĻĒাāϰ āĻšিāϏেāĻŦে āĻĻেāĻ–āϤে āύা āĻ•āϰা āĻšāϝ়েāĻ›ে। āϤাāχ āĻ•েāω āϤাāϰ āφāĻŦেāĻ— āĻŦুāĻে āύা। āĻāϰ āĻŽাāϧ্āϝāĻŽে āϰাāĻ—াāύ্āĻŦিāϤ āĻšāϝ়ে āĻāĻŦং āϤাāϰ āĻŽাāϝ়েāϰ āĻŽৃāϤ্āϝুāϰ āĻĒাāϰিāĻĒাāϰ্āĻļ্āĻŦিāĻ•āϤাāϝ় āĻāĻŦং āϞিāύিāϝ়া āϤাāϰ āϏāϤীāϤ্āĻŦ āĻ•েāĻĄ়ে āύিāϤে āϚেāϝ়েāĻ›িāϞ āϝাāϰ āϜāύ্āϝ āϏে āĻ•াāύ্āύাāϝ় āĻ­েāĻ™্āĻ—ে āĻĒāĻĄ়ে।

āϏে āĻĻেāĻ–ে āϝে, āĻāĻ•āĻĻāϞ āĻĄেāύ্āϟা āϏোāĻŽা āύেāϝ়াāϰ āϜāύ্āϝ āĻĻাঁāĻĄ়িāϝ়ে āφāĻ›ে āĻāĻŦং āĻ•āϝ়েāĻ• āĻĄāϜāύ āĻŽাāĻĻāĻ• āĻŽāĻ•্āϏ āϜাāύাāϞা āĻĻিāϝ়ে āĻŽুāϰāĻ—ীāϰ āĻŦাāϚ্āϚাāϰ āĻŽāϤ āύিāϝ়ে āϝাāϝ়। āφāĻļাāϰ āĻāĻ•āϟু āφāĻ—ে āϝাāϰা āϤাāĻĻেāϰāĻ•ে āĻļাāύ্āϤ āĻ•āϰে āĻāĻŦং āϤিāύāϜāύāĻ•ে āϧāϰে āύিāϝ়ে āĻ•াāϰāĻ—াāϰে āĻĻেāϝ়। āĻŽোāϏ্āϤāĻĢা āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে āϝে, āϏে āĻ•েāĻŽিāϏ্āϟ āĻšāϤে āϚেāϝ়েāĻ›িāϞ āĻ•িāύ্āϤু āĻŦৈāĻļ্āĻŦিāĻ• āϏুāĻ–āĻ•ে āϏেāĻŦা āĻĻিāϤে āĻ—িāϝ়ে āϏে āĻŦিāϜ্āĻžাāύāĻ•ে āϤ্āϝাāĻ— āĻ•āϰে। āϏে āĻšেāϞāĻšāϟāϜāĻ•ে āϜাāύাāϝ় āϝে, āĻĻ্āĻŦীāĻĒে āύিāϰ্āĻŦাāϏāύ āĻĻেāϝ়াāϟা āĻ›িāϞ āϏāĻŦāϚেāϝ়ে āĻŦāĻĄ় āĻŦ্āϝাāĻĒাāϰ āĻ•াāϰāĻŖ āϤুāĻŽি āĻāĻ–াāύে āϏāĻŦ āϞোāĻ•েāϰ āϏাāĻĨে āϏাāĻ•্āώাā§Ž āĻ•āϰāϤে āĻĒাāϰāĻŦে āϝাāϰা āĻ•িāύা āϤাāĻĻেāϰ āϜীāĻŦāύ āύিāϝ়ে āĻŦ্āϰেāχāύ āĻ“āϝ়াāϏāĻĄ āĻšāϝ়েāĻ›ে। āĻšেāϞāĻšāϟāϜ āĻāχ āĻ•āĻĨাāϰ āϏাāĻĨে āϏāĻŽ্āĻŽāϤ āĻšāϝ় āĻāĻŦং āĻĻ্āĻŦীāĻĒে āϤাāϰ āϜীāĻŦāύāĻ•ে āĻ…āϤিāĻŦাāĻšিāϤ āĻ•āϰাāϰ āϜāύ্āϝ āĻĒ্āϰāĻĢুāϞ্āϞ āĻšāϝ়ে āĻ…āĻ—্āϰāĻŦāϰ্āϤী āĻšāϝ়ে āϚāϞে āϝাāϝ়।

āĻāϟা āϜāύ āĻ“ āĻŽোāϏ্āϤāĻĢাāĻ•ে āϤ্āϝাāĻ— āĻ•āϰে āϝাāϰা āĻ•িāύা āĻĻীāϰ্āϘ, āϏাāĻšিāϤ্āϝেāϰ āωāĻĒāϰ, āφāĻŦেāĻ—, āĻ…āύুāĻ­ূāϤি, āĻĻুঃāĻ–, āĻĒ্āϰāĻ­ু āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻĻীāϰ্āϘ āĻļিāĻ•্āώাāĻŽূāϞāĻ• āĻŦিāϤāϰ্āĻ•ে āύিāϝুāĻ•্āϤ āĻ›িāϞ। āϜāύ āĻāχ āĻŦāϞে āĻļেāώ āĻ•āϰে āϝে āϤাāϰ āĻāĻŽāύ āĻāĻ•āϟা āϜীāĻŦāύ āĻĻāϰāĻ•াāϰ āύেāχ āϝেāĻ–াāύে āĻŽাāύুāώāϜāύ āϏāϰ্āĻŦāĻĻাāχ āϏুāĻ–ী। āϏে āĻ…āϏুāĻ–ী āĻšāĻŦাāϰ āĻ•িংāĻŦা āĻ­োāĻ—াāϰ āϏ্āĻŦাāϧীāύāϤা āϚাāϝ়। āĻāχ āĻŦিāĻļাāϞ āφāϞোāϚāύাāϰ āϏāϤ্āϤ্āĻŦেāĻ“ āĻŽোāϏ্āϤāĻĢা āϜāύāĻ•ে āĻšেāϞāĻšেāϟāϜ āĻāϰ āϏাāĻĨে āĻĻ্āĻŦীāĻĒে āĻŦাāϏ āĻ•āϰāϤে āĻĻিāϤে āϚাāϝ় āύা। āϏে āϏাāĻŽাāϜিāĻ• āĻĒāϰীāĻ•্āώāĻŖāϟি āϚāϞāĻŽাāύ āϰাāĻ–āϤে āϚাāϝ়। āĻ­āϝ়ে āϜāύ āĻāĻ•āϟি āĻĒāϰিāϤ্āϝāĻ•্āϤ āϞাāχāϟ āĻšাāωāϜে āĻĒাāϞিāϝ়ে āϝাāϝ় āĻāĻŦং āύিāϜে āύিāϜে āĻ…āύাāĻšাāϰী āĻļুāϰু āĻ•āϰে। āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώে āϞিāύিāϝ়া āύিāϜেāχ āωāĻĒāϏ্āĻĨিāϤ āĻšāϝ়। āϜāύ āϤাāĻ•ে āĻāχāĻ­াāĻŦে āĻāĻ•āϟি āϏāĻšāĻŦাāϏেāϰ āĻŽাāϧ্āϝāĻŽে āĻĒাāĻ“āϝ়াāϝ় āύিāϜেāĻ•ে āύিāϜে āϘৃāĻŖা āĻ•āϰে। āϤাāχ āϏে āύিāϜেāĻ•ে āĻĒ্āϰāĻšাāϰ āĻ•āϰে āĻĒāϰāĻŦāϰ্āϤীāϤে āϞিāύিāϝ়াāĻ•ে। āĻ…āĻŦāĻļ্āϝāχ āϏেāĻ–াāύে āĻāĻ•āϟি āĻŦāĻĄ় āϧāϰāύেāϰ āϜāĻŽাāϝ়েāϤ āĻšāϝ় āĻ•াāϰāĻŖ āϤাāϰা āϝে āϏিāύেāĻŽা āĻ…āĻ­িāύীāϤ āĻšāϝ়েāĻ›ে āϤা āĻĻেāĻ–āϤে āϚাāϝ়। āφāϰ āĻāĻ­াāĻŦেāχ āϤাāϰাāĻ“ āĻ…ংāĻļ āύেāϝ়, āĻāĻ•ে āĻ…āĻĒāϰāĻ•ে āĻĒ্āϰāĻšাāϰ āĻ•āϰে।

āĻĒāϰāĻŦāϰ্āϤী āĻĻিāύ āϏāĻŦাāχ āϚāϞে āĻ—েāϞে āϜāύ āωāĻ ে āĻāĻŦং āĻŽāύে āĻ•āϰে āϝে āĻšৈ āĻšুāϞ্āϞুāϰেāϰ āĻŽāϧ্āϝে āϏে āϞিāύিāϝ়াāϰ āϞাāχāϟ āĻšাāωāϜেāϰ āĻŦāĻĄ়āĻ—া āĻšāϤে āύিāϜেāĻ•ে āĻুāϞিāϝ়ে āĻĻেāϝ়। āφāĻŽāϰা āωāĻĒāύ্āϝাāϏāϟি āĻļেāώ āĻ•āϰি āϜāύেāϰ āĻŽৃāϤ āĻŦাāϤাāϏেāϰ āϏাāĻĨে āφāĻŦāϰ্āϤিāϤ āĻšāϚ্āĻ›ে āĻāĻŽāύ āĻāĻ•āϟি āϚিāϤ্āϰ āĻĻিāϝ়ে। āφāĻŽāϰা āĻŽāύে āĻ•āϰি āχāĻšা āĻŦāϞা āύিāϰাāĻĒāĻĻ āϝে, āĻ•েāω āϏুāĻ–ীāĻ­াāĻŦে āĻŦাāϏ āĻ•āϰে āύা, āĻāχ āĻ—āϞ্āĻĒেāϰ āĻĒāϰ āĻšāϤে āĻ•āĻ–āύোāĻ“ āύা। āĻāϟা āϤাāĻĻেāϰ āĻŽāϧ্āϝে āĻŦিāĻĻ্āϰোāĻšেāϰ āϜāύ্āĻŽ āĻĻেāϝ়। āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āĻšেāϞāĻšāϟāϜ āĻĻৃāĻļ্āϝে āĻāϏে āωāĻĒāϏ্āĻĨিāϤ āĻšāϝ় āĻĒুāϞিāĻļ।

English Summary (āχংāϰেāϜি āϏাāĻŽাāϰি āĻŦা āϏাāϰাংāĻļ)

The novel is set in A.F. 632, approximately seven centuries after the twentieth century. A.F. stands for the year of Ford, named for the great industrialist Henry Ford who refined mass production techniques for automobiles. World Controllers rule the world and ensure the stability of society through the creation of a five-tiered caste system. Alphas and Betas are at the top of the system and act as the scientists, politicians, and other top minds, while Gammas, Deltas, and Epsilons are at the bottom and represent the world's industrial working class. A drug called soma ensures that no one ever feels pain or remains unhappy, and members of every caste receive rations of the drug. Pre- and post-natal conditioning further ensures social stability.

Brave New World opens with the Director of the Central London Hatchery and Conditioning Centre giving a group of young students a tour of the facilities. An assembly line creates embryos using the latest advancements in science. The students view the various techniques for producing more babies and watch as the process segregates babies into various castes. After the babies are decanted from their bottles, they are conditioned through Neo- Pavlovian conditioning and hypnopedia. In Neo-Pavlovian conditioning, babies enter a room filled with books and roses. When the babies approach  the books or the roses, alarms and sirens sound, and the babies receive a small electric shock, which frightens them so that when they confront the same items for a second time, they recoil in fear. Hypnopedia teaches babies and children while they are asleep by playing ethical phrases numerous times so that the phrases will become a subconscious part of each person.

The World Controller of Western Europe, His Fordship Mustapha Mond appears and gives the students a lecture about the way things used to be. Before the Utopian world order was established, he explains that people used to be parents and have children through live birth. This existence led to dirty homes with families where emotions got in the way of happiness and stability. The first world reformers tried to change things, but the old vernments ignored them. War finally ensued, culminating in the use of thrax bombs. After the so-called Nine Years' War, the world suffered rough an economic crisis. Exhausted by their disastrous living conditions people finally allowed the world reformers to seize control. The reformers soon eradicated religion, monogamy, and most other individualistic traits. and they stabilized society with the introduction of the caste system and the use of soma.

Bernard Marx is introduced as a short, dark haired Alpha who is believed to have accidentally received a dose of alcohol as a fetus on the assembly line. His coworkers dislike him and talk about him in derogatory tones. Bernard has a crush on Lenina Crowne, another Alpha, and she informs the reader that he asked her to go with him to the Savage Reservations several weeks earlier. Lenina has been dating Henry Foster for the past several months, but since long-term relationships are discouraged, she agrees to go with Bernard Marx to the Reservations.

Bernard goes to Tomakin, the Director, and gets the Director's signature to enter the Reservations. The Director tells a story about how he went there twenty-five years earlier with a woman. During a storm, she became lost. and circumstances forced him to leave her there. The Director then realizes he should not have told Bernard this story and defensively begins to yell at him. Bernard leaves unruffled and goes to talk to his good friend Helmholtz Watson about his meeting with the Director.

Helmholtz Watson is an intellectually superior Alpha who has become disillusioned with the society. He is tired of his work, which consists of writing slogans and statements to inspire people. Helmholtz indicates that he is searching for a way of expressing something, but he still does not know what. He pities Bernard because he realizes that neither of them can completely fit into the society.

Bernard flies with Lenina to the Savage Reservations. While there he realizes he left a tap of perfume running in his room, and so he calls Helmholtz Watson to ask him to turn it off. Helmholtz tells him that the Director is about to transfer Bernard to Iceland because Bernard has been acting so antisocial lately.

Bernard and Lenina enter the compound and watch the Indians perform a ritualistic dance to ensure a good harvest. A young man named John approaches them and tells them about himself. He was born to a woman named Linda who had been left on the Reservation nearly twenty-five years earlier. John is anxious to learn all about the Utopian world. Linda turns out to be the woman that the Director took to the Reservation and left there. She was unable to leave because she became pregnant with John, and since the Utopian society finds the notion of live birth disgusting, mothers and children are taboo topics.

Bernard realizes that John and Linda could save him from a transfer to Iceland. He calls Mustapha Mond and receives approval to bring them back to London. When Bernard finally returns, he has to meet with the Director in public. The Director publicly shames him and informs Bernard that he must go to Iceland. Bernard laughs at this and introduces Linda and John. At the disclosure of his past, the Director is so humiliated that he resigns. Bernard becomes an overnight celebrity due to his affiliation with John Savage, whose good looks and mysterious past make him famous. Reveling in his sudden popularity, Bernard starts to date numerous women and becomes extremely arrogant.

Bernard eventually hosts a party with several prominent guests attending. John refuses to come and meet them, which embarrasses Bernard in front of his guests. The guests leave in a rage while Bernard struggles to make amends. John is happier afterwards because Bernard must be his friend again.

Helmholtz and John become very good friends. Helmholtz has gotten into trouble for writing a piece of poetry about being alone and then reading it to his students. John pulls out his ancient copy of the Complete Works of Shakespeare and starts to read. The fiery passion of the language overwhelms Helmholtz, who realizes that this is what he has been trying to write.

Lenina has developed a crush on John the Savage, and she finally decides to go see him. After a few minutes, he tells her that he loves her. Lenina is very happy to hear this and strips naked in front of him in order to sleep with him. Immediately taken aback, John becomes extremely angry with her. Crying "Strumpet!" he hits her and chasse her into the bathroom. Fortunately for Lenina, a phone call interrupts John and he rushes off.

John goes to the hospital where Linda has finally succumbed to taking too much soma. While he tries to visit her, a large group of identical twins arrives for their death conditioning. They notice Linda and comment on how ugly she is. John furiously throws them away from her. He then talks to Linda, who starts asking for Pope, an Indian she lived with back on the Reservation. John wants her to recognize him and so he starts to shake her She opens her eyes and sees him but at that moment, she chokes and passes away. John blames himself for her death. The young twins again interrupt him, and he silently leaves the room.

When he arrives downstairs, John sees several hundred identical twins waiting in line for their daily ration of soma. He passionately thinks that he can change the society and tells them to give up on the soma that is poisoning their minds. He grabs the soma rations and starts to throw the soma away. The Deltas get furious at this and start to attack him. Bernard and Helmholtz receive a phone call telling them to go to the hospital. When they arrive and find John in the middle of a mob, Helmholtz laughs and goes to join him. Bernard stays behind because he fears the consequences.

All three men are taken to meet Mustapha Mond who turns out to be an intellectual. He tells Bernard and Helmholtz that they must go to an island where other social outcasts are sent. The island is for people who have become more individualistic in their views and can no longer fit in with the larger society.

John and Mustapha engage in a long debate over why the society must have its current structure. John is upset by the regulation and banning of history, religion, and science. Mustapha tells him that the society's design maximizes each person's happiness. History, religion, and science only serve to create emotions that destabilize society and thus lead to unhappiness. In order to ensure perfect stability, each person receives conditioning and learns to ignore things that would lead to instability. John continues protesting. The climax of the book comes when Mustapha tells John, "You are claiming the right to be unhappy." Mustapha then mentions a long list of mankind's ills and evils. John replies, "I claim them all."

Mustapha sends Bernard and Helmholtz away to an island, but refuses to allow John to leave. He tells John that he wants to continue the experiment a little longer. John runs away from London to an abandoned lighthouse on the outskirts of the city, where he sets up a small garden and builds bows and arrows. To alleviate his guilty conscience over Linda's death, Join makes a whip and hits himself with it. Some Deltas witness him in self- flagellation, and within three days, reporters show up to interview him. He manages to scare most of them away.

However, one man catches John beating himself and films the entire event. Within a day hundreds of helicopters arrive, carrying people who want to see him beat himself. John cannot escape them all. Lenina and Henry Foster also arrive and when John sees Lenina, he starts to beat her with the whip. The crowd soon begins to chant "Orgy-porgy," a sensual hymn used to generate a feeling of oneness. John loses himself within the crowd and wakes up the next day after taking soma and engaging in the sensual dance of the hymn. He is overwhelmed with guilt and self-hatred. That evening he is found dead in the lighthouse as he hangs from an archway.

Themes of The Novel

  • Commodification.
  • Dystopia.
  • Freedom.
  • Human Impulse.
  • The Power of Knowledge.
  • Utilitarian Happiness.
  • The Transformation of Human Relationship.
  • The Limits of Science.

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