Brave New World By Aldous Huxley Bangla - English Summary, Themes, Characters and Review PDF
M.A Final Year
Department of English
Course Name: Modern Novel
Life & Work of Aldous Huxley
Topics: Brave New World By Aldous Huxley

Brave New World By Aldous Leonard Huxley
Perspective and Narrator:
'Brave New World' āĻāĻĒāύ্āϝাāϏāĻি āĻāĻāĻāύ āϏāϰ্āĻŦāĻĻāϰ্āĻļী āύাāĻŽ āĻĒুāϰুāώেāϰ āĻĻ্āĻŦাāϰা āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে āϝে āĻāĻ āĻāϞ্āĻĒেāϰ āĻোāύ āĻāϰিāϤ্āϰ āύāϝ়। āĻāĻেāĻ āϏāĻŽāϝ় āϏে āĻāĻেāĻ āĻāϰিāϤ্āϰেāϰ āĻĻৃāώ্āĻিāĻোāĻŖ āĻšāϤে āĻŦāϰ্āĻŖāύা āĻāϰে। āĻāĻāύো āύাāϝ়āĻ John The Savager āĻšāϝ়ে āĻāĻŦাāϰ āĻāĻāύো āĻāϞāĻāϰিāϤ্āϰ Mustapha mond āĻāϰ āĻĻিāĻ āĻšāϤে āĻāĻĨা āĻŦāϞে।
About The Title:
New World" āĻāĻāĻি āĻļāĻŦ্āĻĻāĻুāĻ্āĻ āϝা āĻāĻāϞিāϝ়াāĻŽ āĻļেāĻ্āϏāĻĒিāϝ়āϰেāϰ The Tempest āĻāϰ āĻ
āĻ্āĻ-ā§Ģ- āĻāϰ āĻĻৃāĻļ্āϝ-ā§§ āĻšāϤে āύেāϝ়া āĻšāϝ়েāĻে। āĻļāĻŦ্āĻĻāĻুāĻ্āĻāĻুāϞো āϰাāĻা āĻĒ্āϰāϏāĻĢেāϰোāϰ āĻāύ্āϝা āĻŽিāϰাāύ্āĻĄা āĻāĻ্āĻাāϰāĻŖ āĻāϰে। āϝা āĻŽূāϞāϤ Brave New World āĻāϰ āύাāϝ়āĻেāϰ āĻ
āύāύুāĻŽোāĻĻāύেāϰ āĻŦাāĻšিāϰেāϰ āĻāĻā§āĻে āύিāϝ়ে āĻĒ্āϰাāϰāĻŽ্āĻিāĻ āĻāϤ্āϤেāĻāύা āϏেāĻ āϏাāĻĨে āϤাāϰ āĻĒ্āϰāϤাāϰāĻŖাāĻĒূāϰ্āĻŖ āύেāϤৃāϤ্āĻŦ āĻ āĻ
āĻāĻীāϰāϤাāϰ āĻŦ্āϝাāĻĒাāϰে āϤাāϰ āĻŽāϧ্āϝে āĻāύ্āĻŽ āĻĻেāϝ়া āĻāϝ়āĻে āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻāϰে।
Setting:
āĻĒ্āϰাāĻĨāĻŽিāĻāĻাāĻŦে āĻāĻĒāύ্āϝাāϏāĻি āϞāύ্āĻĄāύে āϧাāϰāĻŖ āĻāϰা āĻšāϝ়। āϝāĻĻিāĻ āĻ
āύেāĻāĻুāϞো āĻেāύাāϰ āĻ
āύেāĻāĻুāϞো āĻŦৈāĻļিāώ্āĻ্āϝ āϞāύ্āĻĄāύে āĻĻেāĻা āϝাāϝ় āϤāĻŦুāĻ āϏেāĻাāύে āύāϤুāύ āĻŦিāĻļ্āĻŦেāϰ āϏাāĻĨে āĻাāĻĒ āĻাāϝ় āĻāĻŽāύ āύāϤুāύ āĻিāĻুāĻ āϰāϝ়েāĻে āϝেāĻŽāύ āĻļ্āĻŽāĻļাāύেāϰ āύিāϰ্āĻŽোāĻ āĻāĻŦং āĻĻ্āϝ āĻāϞেāĻ āĻ
āĻŦ āĻāĻŽোāĻļāύাāϞ āĻāĻ্āĻিāύিāϝ়াāϰিং। āϤাāϰāĻĒāϰ āϞāύ্āĻĄāύ āĻšāϤে āύিāĻāĻŽেāĻ্āϏিāĻোāϤে āĻোāĻ āĻāĻāĻি āĻĒāϰিāĻŦāϰ্āϤāύ āϏূāĻিāϤ āĻšāϝ় āϝেāĻাāύে āĻিāύা āĻŦāϰ্āĻŦāϰāϤাāϰ āĻ
āύুāĻŽোāĻĻāύ āϰāϝ়েāĻে। āϏāĻŽāϝ়āĻা āĻāĻŦিāώ্āϝ⧠āĻ āϝেāĻাāύে āĻীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻি āĻ্āώেāϤ্āϰে āĻŦৈāĻ্āĻাāύিāĻ āĻāύ্āύāϤি āĻĒ্āϰāϤ্āϝāĻ্āώāĻŽাāύ āĻĒ্āϰāĻৃāϤāĻĒāĻ্āώে āĻŦিāĻ্āĻাāύ āϝেāύ āĻĻেāĻŦāϤাāϤে āĻĒāϰিāĻŖāϤ āĻšāϝ় āĻŽাāύুāώেāϰ āĻŦ্āϝāĻŦāĻšাāϰ āĻŦিāϧি āĻĒāϰিāĻাāϞāύাāϰ āĻŽাāϧ্āϝāĻŽে; āĻŦিāĻļেāώāϤ āĻāĻĒāϰেāϰ āĻļ্āϰেāĻŖীāϰ।
āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧেāϰ āĻĢāϞাāĻĢāϞেāϰ āĻāύ্āϝ āϏাāϧাāϰāĻŖ āĻŽেāĻাāĻ āϤিāĻ্āϤ āĻ
āϤীāϤেāϰ āĻāύ্āϝ āĻাāύ্āύাāϝ় āĻেāϏে āϝাāϝ় āĻāĻŦং āĻāĻāĻি āĻাāϞ্āĻĒāύিāĻ āϏāĻŽাāĻেāϰ āϏāύ্āϧাāύ āĻাāϝ়। āϝāĻāύ ā§§ā§¯ā§Šā§¨ āϏাāϞে āĻšাāϏāϞি āϤাāϰ āĻāĻ āĻāĻĒāύ্āϝাāϏāĻি āϞিāĻেāύ āϤāĻāύ āϤিāύি āϤাāϰ āϏāĻŽāϏাāĻŽāϝ়িāĻ āϏāĻŽাāĻ āĻšāϤে āϤা āύেāύ āĻāĻŦং āĻāĻāĻি āĻূāĻĄ়াāύ্āϤ āĻāĻ āύেāϰ āϰূāĻĒ āĻĻেāύ, āĻŦিāĻ্āĻাāύেāϰ āĻĻেāĻŦāϤ্āĻŦাāϰোāĻĒ āĻ āϏāϰ্āĻŦāĻ্āϰাāϏী āĻāĻŦং āĻāĻŦেāĻেāϰ āϝāύ্āϤ্āϰāĻŦিāĻĻ্āϝাāϰ āĻĻ্āĻŦাāϰা āĻĒāϰিāĻাāϞিāϤ āĻāĻāĻি āĻĒৃāĻĨিāĻŦী āϏৃāώ্āĻি āĻāϰেāύ। āϤাāϰ āĻāύ্āϝ āϝে āĻĒ্āϰেāϰāĻŖা āĻĻāϰāĻাāϰ āϤা āϏে āĻাāϰ্āϞ āĻŽাāϰ্āĻāϏ, āĻšেāύāϰি āĻĢāϰ্āĻĄ, āĻĢ্āϰāϝ়েāĻĄেāϰ āĻাāĻ āĻšāϤে āĻĒাāύ।
Characters (āĻāϰিāϤ্āϰāϏāĻŽূāĻš)
John The Savage
āĻāĻĒāύ্āϝাāϏেāϰ āĻŽূāϞ āύাāϝ়āĻ āϝে āĻিāύা āϞেāĻāĻেāϰ āĻĻৃāώ্āĻিāĻāĻ্āĻিāĻে āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻāϰে। āϏে āĻāĻāĻি āĻ
āύāύুāĻŽোāĻĻāύেāϰ āĻŽāϧ্āϝে āĻāύ্āĻŽāĻ্āϰāĻšāĻŖ āĻāϰে āĻāĻŦং āĻŦেāĻĄ়ে āĻāĻ েāĻে।
Mustapha Mond
āĻĒāĻļ্āĻিāĻŽ āĻāĻāϰোāĻĒ āĻāϰ āĻ
āϧিāĻŦাāϏীāĻĻেāϰ āύিāϝ়āύ্āϤ্āϰāĻেāϰ āĻĒাāĻļাāĻĒাāĻļি āĻŦিāĻļ্āĻŦ āύিāϝ়āύ্āϤ্āϰāĻāĻĻেāϰ āĻĻāĻļ āĻāύেāϰ āĻāĻāĻāύ āϏে। āĻŦিāĻļ্āĻŦেāϰ āϏāĻāϞ āĻāϤিāĻš্āϝ āĻāĻŦং āϰীāϤিāύীāϤিāϰ āϏাāĻĨে āĻĒāϰিāĻিāϤ āĻĨাāĻাāϝ় āϤিāύিāĻ āύāϤুāύāĻĻেāϰ āĻāύ্āϝ āĻĒ্āϰāϧাāύ āĻŽুāĻāĻĒাāϤ্āϰ।
Bernard Marx
āϏে āĻāĻāĻāύ āĻļ্āϰāĻŽিāĻ āϝে āĻিāύা āĻŽāύāϏ্āϤāϤ্āϤ্āĻŦ āĻĻāĻĒ্āϤāϰেāϰ āϏাāĻĨে āϏংāϝুāĻ্āϤ āĻāĻে। āĻļুāϰু āĻšāϤেāĻ āϤাāϰ āĻেāĻšাāϰা āĻ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻāύ্āϝ āĻāĻা āϏে।
Leniana Crowne
āϏে āĻš্āϝাāĻাāϰিāϤে āĻāĻāĻāύ āϏেāĻŦিāĻা। āϏে āĻ
āϏাāϧাāϰāĻŖ āϏুāύ্āĻĻāϰী। āϏে āĻāĻāĻ āϏাāĻĨে āĻĢāϏ্āĻাāϰ āĻāĻŦং āĻŽাāϰ্āĻ্āϏেāϰ āϏাāĻĨে āϏāĻŽāϝ় āĻাāĻাāϝ় āĻĒāϰāĻŦāϰ্āϤীāϤে āϏāĻŽāϝ়ে āĻŽাāϰাāϤ্āĻŽāĻāĻাāĻŦে āϏে āĻŽি. āĻŽ্āϝাāĻেāĻ āĻāϰ āĻĒ্āϰāϤি āĻāĻৃāώ্āĻ āĻšāϝ়।
Helmholtz. Watson
āϏে āĻŽাāϰাāϤ্āĻŽāĻ āϏুāĻĻāϰ্āĻļāύ āĻāĻāĻāύ āĻŦ্āϝāĻ্āϤি āϝে āĻĒেāĻļাāĻāϤāĻাāĻŦে āĻāĻāĻāύ āĻ
āϧ্āϝাāĻĒāĻ। āϏাāĻĨে āϏাāĻĨে āϏে āĻāĻāĻāύ āĻ
āϧ্āϝāϝ়āύāϰāϤ āĻŽāύোāĻĒ্āϰāĻৌāĻļāϞী āĻāĻŦং āĻāĻāĻāύ āϞেāĻāĻ।
Linda
āϏে āĻāύেāϰ āĻŽা āĻāĻŦং āĻš্āϝাāĻাāϰিāϰ āĻŽাāϞিāĻেāϰ āϏাāĻŦেāĻ āĻĒ্āϰেāĻŽিāĻা।
Fanny Crowne
āϞিāύিāϝ়াāϰ āĻāĻāĻāύ āϤāϰুāĻŖ āĻŦāύ্āϧু। āϏে āϏāĻীāϰ āĻĻাāϝ়িāϤ্āĻŦ āĻĒাāϞāύ āĻāϰে āĻāĻŦাāϰ āϏে āĻāĻāύো āĻāĻāύো āĻāĻĒāĻĻেāώ্āĻাāĻ।
Benito Hoover
āĻāĻāĻāύ āĻŽাāύুāώ āϝে āĻিāύা āĻুāĻ্āϝাāϤāĻাāĻŦে āĻাāϞ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻāύ্āϝ āĻĒāϰিāĻিāϤ। āϤাāϰ āĻšাāϏিāĻুāĻļি āĻŽেāĻাāĻ āϤাāϰ āĻোāϞāĻাāϞ āϞাāϞ āϰং āĻāϰ āĻŽুāĻে āĻĒ্āϰāϤিāĻĢāϞিāϤ āĻšāϝ় āĻāĻŦং āϏে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻāĻ্āϰোāĻļ āĻŽুāĻ্āϤ।
The Director of Hatcheries
āϏ্āϝাāĻেāĻেāϰ āĻŦাāĻŦা āϝাāϰ āĻĄাāĻāύাāĻŽ āĻāĻŽাāϰ্āĻিāύ। āĻ
āϧিāĻāϤāϰ āϏে āĻāĻāĻāύ āĻাঁāĻāĻāĻŽāĻāĻĒূāϰ্āĻŖ āĻāĻŦং āĻ
āύāĻŽāύীāϝ় āĻŽাāύুāώ āϝে āϤাāϰ āĻĒāĻĻ āĻ
āĻĒāĻŽাāύে āĻেāĻĄ়ে āĻĻেāϝ়।
Miss Keate
āĻāĻāύেāϰ āĻĒ্āϰāϧাāύ āĻļিāĻ্āώিāĻা। āϏে āĻŽাāϰ্āĻ্āϏেāϰ āĻĻ্āĻŦাāϰা āĻāĻৃāώ্āĻ āϤাāϰ āĻাāϰāĻŖ āϏ্āϝাāĻেāĻেāϰ āϏাāĻĨে āϤাāϰ āϏāĻŽ্āĻĒৃāĻ্āϤāϤা।
Henry Foster
āĻāĻāĻি āĻŦāĻ্āϤাāϰ āϏুāύ্āĻĻāϰ āĻুāϞেāϰ āĻ
āϧিāĻাāϰী āϤāϰুāĻŖ। āϏে āϏāϰ্āĻŦāĻĻা āĻāĻāĻি āĻļāϰ্āϤāĻĒূāϰ্āĻŖ āĻীāĻŦāύ āϝাāĻĒāύে āϏুāĻী।
āĻŦাংāϞা āϏাāĻŽাāϰি āĻŦা āϏাāϰাংāĻļ (Bangla Summary)
Brave New World' āĻāĻĒāύ্āϝাāϏāĻি āĻāĻāĻি āĻ
āϏ্āĻŦāĻ্āĻāύ্āĻĻāĻাāĻŦে āĻŦāύ্āϧ্āϝা āĻāĻŦং āύিāϝ়āύ্āϤ্āϰিāϤ āĻāϧুāύিāĻ āϏāĻŽাāĻāĻে āĻĻিāϝ়ে āĻļুāϰু āĻšāϝ় āϝা āϏাāϧাāϰāĻŖāϤ “āĻŦিāĻļ্āĻŦ āĻ
āĻŦāϏ্āĻĨা" āύাāĻŽে āĻĒāϰিāĻিāϤ। āĻāĻāĻĻāϞ āĻাāϤ্āϰ āϤাāĻĻেāϰ āĻāĻāĻি āĻĢ্āϝাāĻ্āĻāϰি • āĻĒāϰিāĻĻāϰ্āĻļāύেāϰ āĻāύ্āϝ “āϞāύ্āĻĄāύ āĻš্āϝাāĻাāϰী āĻāύ্āĻĄ āĻāύ্āĻĄিāĻļāύিং āϏেāύ্āĻাāϰ" āĻāϰ āĻĒāϰিāĻাāϞāĻ āϝাāϰ āύাāĻŽ āĻĻ্āϝ āĻĄিāϰেāĻ্āĻāϰ āϤাāϰ āĻĒāĻ্āώ āĻšāϤে āϤাāϰা āĻ āĻ্āϰāĻŽāĻŖ āĻ্āϰāĻšāĻŖ āĻāϰে। āϝা āĻিāĻুāĻা āĻāϤ্āϤেāĻāύাāĻĒূāϰ্āĻŖ।
āĻĄিāϰেāĻ্āĻāϰ āĻাāϤ্āϰāĻĻেāϰ āĻাāĻে āĻĒ্āϰāĻ্āϰিāϝ়াāϰ āĻāĻĨা āĻŦ্āϝাāĻ্āϝা āĻāϰেāύ āϝাāϰ āĻŽাāϧ্āϝāĻŽে āĻŽাāύুāώ āĻিāϤāϰে āĻিāϤāϰে āĻŦেāĻĄ়ে āĻāĻ ে āĻāĻŦং āϤাāϰāĻĒāϰ āύৈāϤিāĻ āĻিāĻু 'āϏāϤ্āϝ' āϏāĻŽ্āĻĒāϰ্āĻে āĻŦ্āϰেāύ āĻāϝ়াāϏāĻĄ āĻāϰা āĻšāϝ়। āĻāĻ āϏāϤāϰ্āĻāĻāϰāĻŖ āύাāĻāϰিāĻāĻĻেāϰāĻে āĻŦ্āϝāĻ্āϤিāϰ āĻāĻĒāϰ āϏāĻŽাāĻāĻে āĻŽূāϞ্āϝাāϝ়āύ āĻāϰāϤে āύিāϰ্āĻĻেāĻļāύা āĻĒ্āϰāĻĻাāύ āĻāϰে। āĻĒ্āϰāϤ্āϝেāĻāĻি āĻŦ্āϝāĻ্āϤি āϏāĻŽাāĻāĻে āϏেāĻŦা āĻĒ্āϰāĻĻাāύ āĻāϰাāϰ āĻāύ্āϝāĻ āĻŦেঁāĻে āĻĨাāĻে। āϤাāĻĻেāϰ āĻাāĻ āϝে āĻĻেāĻļেāϰ āĻ
āϰ্āĻĨāύীāϤিāĻে āϏ্āĻĨিāϰ āĻāĻŦং āĻļāĻ্āϤিāĻļাāϞী āϰাāĻাāϰ āĻāύ্āϝ āϤাāĻĻেāϰāĻে āĻোāĻ্āϤা āĻāĻŦং āĻļ্āϰāĻŽিāĻেāϰ āĻĻাāϝ়িāϤ্āĻŦ āĻĒাāϞāύ āĻāϰāϤে āĻšāϝ়। āĻĒāϰ্āϝাāĻĒ্āϤ āĻĒāϰিāĻŖাāĻŽ āĻাāĻĒāĻĄ় āĻিāύাāϰ āĻŽাāϧ্āϝāĻŽে āĻিংāĻŦা āĻĒāϰ্āϝাāĻĒ্āϤ āϝাāύāĻŦাāĻšāύ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻŽাāϧ্āϝāĻŽে āϤুāĻŽি āϤোāĻŽাāϰ āĻাāĻ āĻāϰ। āĻāĻ āĻĒāĻĻ্āϧāϤিāĻাāĻে āĻāϰো āϏāĻšāĻāĻাāĻŦে āĻাāϞাāύোāϰ āĻāύ্āϝ āĻŽāύুāώ্āϝāĻূāϞāĻে āĻ
āύেāĻāĻুāϞো āĻļ্āϰেāĻŖিāϤে āĻাāĻ āĻāϰা āĻšāϝ়:-
- āĻāϞāĻাāĻŽ
- āĻŦিāĻাāϏ
- āĻাāĻĨাāĻে
- āĻেāύ্āĻাāϏ
- āĻĄ্āϰাāĻŽ āϰোāϞ
- āĻāĻĒāϏিāϞāύāϏ
- āĻāϰো āĻāϤ āĻিāĻু।
āĻāϞāĻĢাāϏāϰা āϏুāĻĻāϰ্āĻļāύ, āϞāĻŽ্āĻŦা āĻāĻŦং āĻĒেāĻļীāĻŦāĻšুāϞ। āĻāĻĒāϏিāϞāύাāϰ āĻাāĻো, āĻŽূāĻ āĻāĻŦং āĻĻেāĻāϤে āĻুā§āϏিāϤ। āĻāĻ āĻŽাāύুāώāĻুāϞো āĻŽāύে āĻāϰে āĻāϞāĻĢাāϏāĻĻেāϰ āĻাāĻ āĻšāϤে āĻĻূāϰে āĻĨাāĻাāϰ āϏāϰ্āĻŦোāϤ্āϤāĻŽ āĻāĻĒাāϝ় āĻšāĻ্āĻে āĻāϞāĻĢাāϏāϰা āϝāĻāύ āĻিāĻāĻŦেāϰ āĻŽāϧ্āϝেāĻ āĻĨাāĻে āϤāĻāύ āϏেāĻাāύে āĻŦিāĻĒāĻĻāĻāύāĻ āĻāĻĒাāĻĻাāύ āĻĻিāϝ়ে āĻĻেāϝ়া। āĻāĻ āĻŦ্āϝাāĻĒাāϰে āϤাāϰা āĻ
্āϝাāϞāĻোāĻšāϞ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰে āĻĒাāĻļাāĻĒাāĻļি āϤাāϰা āĻ
āĻ্āϏিāĻেāύেāϰ āĻĒāĻĻāĻ্āϝুāϤি āĻāĻাāϝ়। āĻāĻŦাāϰ āύীāĻু āĻাāϤেāϰ āĻŽাāύুāώāϰা āϏংāĻāĻŦāĻĻ্āϧāĻাāĻŦে āĻāύ্āĻŽāĻ্āϰāĻšāĻŖ āĻāϰে āϝাāϤে āĻāĻāĻļ āĻāĻĒāϏিāϞāύ āϝেāύ āĻāĻে āĻ
āĻĒāϰেāϰ āύāĻāϞ āĻšāϤে āĻĒাāϰে। āĻāĻŦং āϤুāĻŽি āĻিāύ্āϤা āĻāϰা āĻāĻāĻāύ āĻŦāĻĄ় āĻাāĻ āĻāĻ িāύ āĻিāϞ। āĻিāύ্āϤা āĻāϰো āύিāϰাāύāĻŦ্āĻŦāĻāĻি āĻ্āϞোāύ āĻĨাāĻাāϰ āĻāĻĨা āϏাāĻŽāύে āĻĨাāĻাāϰ āĻĒাāĻļাāĻĒাāĻļি āĻāĻŽāϰা āĻāϰো āĻĻুāĻāύ āĻāϰিāϤ্āϰāĻে āĻĒেāϞাāĻŽ āϝাāĻĻেāϰ āύাāĻŽ āϞিāύিāϝ়া āĻ্āϰাāĻāύে āĻāĻŦং āĻšেāύāϰি āĻĢāϏ্āĻাāϰ āϝাāϰা āĻāĻāϝ়েāĻ āĻš্āϝাāĻাāϰিāϤে āĻাāĻ āĻāϰে।
āϞিāύিāϝ়া āĻুāĻŦ-āĻ āĻāĻŽā§āĻাāϰ। āĻšেāύāϰি āϤাāĻšাāϰ āϏাāĻĨে āĻļুāϝ়ে āĻāĻে। āĻ
āύ্āϝাāύ্āϝ āϏāĻŦাāĻāĻ āϤাāĻ। āĻŦিāĻļ্āĻŦ āĻ
āĻŦāϏ্āĻĨাāϝ় āϝৌāύ āϏāĻšāĻŦাāϏ āĻšāĻ্āĻে āύৈāĻŽিāϤ্āϤিāĻ, āĻĻৈāύিāĻ āĻāĻŦং āϏুāϏ্āĻĒāώ্āĻ। āĻĒ্āϰāϤ্āϝেāĻেāĻ āĻĒ্āϰāϤ্āϝেāĻেāϰ āĻŽāϧ্āϝে āĻŦিāϰাāĻ āĻāϰে āϝাāϰ āĻ
āϰ্āĻĨ āĻšāĻ্āĻে āϝāĻāύ āĻāĻāĻāύ āĻĒুāϰুāώ āĻāĻāĻāύ āύাāϰীāϰ āϏাāĻĨে āĻুāĻŽাāϤে āĻāĻ্āĻে āĻĒোāώāĻŖ āĻāϰāĻŦে। āϏে āĻāύāϏāĻŽ্āĻŽুāĻে āĻŦāϞāĻŦে, āĻāϞ āϝৌāύ āϏāĻšāĻŦাāϏ āĻāϰি āĻāĻŦং āĻ
āύ্āϝāĻāύ āĻāϤ্āϤāϰ āĻĻেāϝ় āĻ িāĻ āĻāĻে। āĻāĻŽāύāĻি āĻোāĻ āĻোāĻ āĻŦাāĻ্āĻাāϰাāĻ āĻিāĻĒাāϰ āĻ
āύুāϏāύ্āϧাāύেāϰ āĻেāϞা āĻেāϞāĻŦে āĻāĻে āĻ
āĻĒāϰেāϰ āϏাāĻĨে āĻāĻ āĻŦিāĻļ্āĻŦেāϰ āĻāϰ āĻāĻāĻি āĻŦāĻĄ় āĻাāĻ āĻšāĻ্āĻে “āϏোāĻŽা' āύাāĻŽেāϰ āĻāĻ āϧāϰāύেāϰ āĻŽাāĻĻāĻ āĻ্āϰāĻšāĻŖ āĻāϰা āϝা āϤাāϰ āĻŦ্āϝāĻŦāĻšাāϰāĻাāϰীāĻĻেāϰāĻে āϏ্āĻĨাāϝ়ীāĻাāĻŦে āĻাāύ্āĻĻ্āϰāĻূāϤ āĻāϰে āϝা āĻŽূāϞāϤ āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĒāϞাāϝ়āύেāϰ āĻāĻāĻি āϰাāϏ্āϤা। āĻāĻāϏāĻŦ āϤāĻĨ্āϝ āĻāĻŽāϰা āĻĄিāϰেāĻ্āĻāϰেāϰ āĻŽাāϧ্āϝāĻŽে āϏāĻĢāϰāĻাāϞীāύ āĻĒাāĻ; āĻŦাāĻী āϤāĻĨ্āϝ āĻŽোāϏ্āϤāĻĢা āĻŽāĻŖ্āĻĄ āύাāĻŽāĻ āĻāĻāĻāύ āĻŦāĻĄ় āĻাāϰāĻŦাāϰি āϝে āĻিāύা āĻŦিāĻļ্āĻŦ āύিāϝ়āύ্āϤ্āϰāĻ āĻĻāĻļ āĻāύেāϰ āĻāĻāĻāύ āϤাāϰ āĻŽাāϧ্āϝāĻŽে āĻĒ্āϰāĻĻাāύ āĻāϰা āĻšāϝ়।
āĻŽোāϏ্āϤāĻĢা āĻŽāĻŖ্āĻĄ āĻāĻāĻ āĻাāϤ্āϰ āĻĻāϞেāϰ āϏাāĻĨে āĻিāĻাāĻŦে āĻāĻ āϏāĻŽাāĻ āĻāϞ āϤা āĻŦ্āϝাāĻ্āϝা āĻāϰে। āϏংāĻ্āώিāĻĒ্āϤ āϰূāĻĒāĻা āĻāĻŽāύ āϝে, āĻĻুāύিāϝ়া āĻāϏ্āϤে āĻāϏ্āϤে āĻ
āύিāϝ়āύ্āϤ্āϰāĻŖāϝোāĻ্āϝ āĻšāϝ়ে āϝাāϝ় āϝāϤāĻ্āώāĻŖ āĻĒāϰ্āϝāύ্āϤ āύা āĻŦিāĻļ্āĻŦেāϰ āĻāύāϏংāĻ্āϝা āĻāĻāϤ্āϰিāϤāĻাāĻŦে āĻŦāϞে āϝে, āĻāĻŽāϰা āĻāϰ āĻāϏāĻŦ āύিāϤে āĻĒাāϰāĻি āύা āĻāĻŽাāĻĻেāϰ āϏāĻŦ āϏ্āĻŦাāϧীāύāϤা āĻāĻŦং āϏ্āĻŦাāϤāύ্āϤ্āϰāĻŦোāϧ āύিāϝ়ে āύাāĻ āĻŦিāĻļ্āĻŦ āϏ্āĻĨিāϰāϤাāϰ āύাāĻŽ āĻāϰে। āϏাāĻĨে āϏাāĻĨে āĻāϰ্āϤৃāϤ্āĻŦāĻļাāϞীāϰা āĻŦāϞāĻŦে, āĻ িāĻ āĻāĻে। āĻāĻŦং āĻāĻāύ āĻāĻাāύে āĻোāύ āϝুāĻĻ্āϧ āύেāĻ, āύেāĻ āĻোāύ āĻĻুঃāĻ, āĻোāύ āϏ্āĻŦাāϤāύ্āϤ্āϰāĻŦোāϧ āύেāĻ, āĻāϤিāĻšাāϏ āύেāĻ, āĻāĻŦেāĻ āύেāĻ, āϏাāĻšিāϤ্āϝ āύেāĻ, āĻĒāϰিāĻŦাāϰ āύেāĻ, āύেāĻ āĻāĻŦেāĻেāϰ āĻোāύ āĻŦāύ্āϧāύ, āĻোāύ āĻŦৈāĻ্āĻাāύিāĻ āϏ্āĻŦাāϧীāύāϤা āύেāĻ, āĻāĻŽāύāĻি āĻোāύ āϧāϰ্āĻŽāĻ āύেāĻ। āĻিāύ্āϤু āĻāĻāύāĻ, āϏেāĻাāύে āĻĒāϰ্āϝাāĻĒ্āϤ āϝৌāύ āϏāĻšāĻŦাāϏ āϰāϝ়েāĻে।
āϝāĻāύ āĻāĻŽāϰা āĻāĻāϏāĻŦ āϤāĻĨ্āϝেāϰ āϏাāĻĨে āĻĒāϰিāĻিāϤ āĻšāĻ্āĻিāϞাāĻŽ āĻāĻŽāϰা āĻāϰো āĻāĻāĻāύ āĻāϰিāϤ্āϰ āϝাāϰ āύাāĻŽ āĻŦাāϰ্āύাāϰ্āĻĄ āĻŽাāϰ্āĻ্āϏ āϤাāϰ āϏাāĻĨে āĻĻেāĻা āĻšāϝ় āĻিāύা āĻāĻāĻāύ āĻāϞāĻĢা āĻĒ্āϞাāϏ āĻŽāύোāĻŦিāĻļেāώāĻ্āĻ। āĻিāĻু āĻাāϰāĻŖে āĻŦেāĻļিāϰ āĻাāĻ āĻāϞাāĻĢাāϏāĻĻেāϰ āĻŽāϤো āϤাāϰ āĻļাāϰীāϰিāĻ āĻŦৈāĻļিāώ্āĻ্āϝ āύেāĻ। āϏে āĻাāĻো। āϏে āĻিāύ্āύ āĻšāĻāϝ়াāĻ āϏāϰ্āĻŦāĻĻা āύিঃāϏāĻ্āĻ āĻĨাāĻে āĻāĻŦং āĻŦāĻĄ় āĻŦāĻĄ় āĻŦ্āϝাāĻĒাāϰ āύিāϝ়ে āĻিāύ্āϤাāϝ় āĻŽāĻ্āύ āĻĨাāĻে āϝাāϰ āĻŽāϧ্āϝে āϏে āĻŽāύে āĻāϰে āϝāĻĻি āϏāĻŦাāĻ āĻ
āĻেāĻĻ āĻĒূāϰ্āĻŦāĻ āĻšāϤো āĻāĻŦং āĻাāϞāĻŦাāϏাāĻে āĻāĻŽ্āĻীāϰāĻাāĻŦে āύিāϤ। āϏে āϏāĻŽ্āĻĒূāϰ্āĻŖāĻাāĻŦে āϞিāύিāϝ়াāĻে āĻাāϝ় āĻিāύ্āϤু āϤাāϰ āϏাāĻĨে āϏāĻšāĻŦাāϏ āĻāϰাāϰ āĻেāϝ়ে āϏে āϤাāĻšাāϰ āϏাāĻĨে āĻĻীāϰ্āĻ āĻāϞাāĻĒ āĻāϰāϤে āĻাāϝ়। āϤাāϰāĻĒāϰ āϏāĻ্āώāĻŽ āϏে āϞিāύিāϝ়াāϰ āϏাāĻĨে āĻŦাāĻšিāϰে āϝাāĻŦাāϰ āĻŦ্āϝাāĻĒাāϰে āĻŦāϞে । āϤাāĻে āϞāĻ্āĻাāϝ় āĻĢেāϞে āϞিāύিāϝ়া āϤাāĻĻেāϰ āϏāĻšāĻŦাāϏেāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻāϰে āĻĒāϰāĻŦāϰ্āϤীāϤে āĻāĻŽāϰা āĻšেāϞāĻŽāĻšāĻāĻ āĻāϝ়াāĻāϏāύেāϰ āϏাāĻĨে āĻĻেāĻা āĻāϰি āϝে āĻāϰো āĻāĻāĻāύ āĻāϞāĻĢা āĻĒ্āϞাāϏ āĻŽāύোāĻŦিāĻļেāώāĻ্āĻ āϝিāύি āĻŦাāϰ্āύাāĻĄেāϰ āϤাāĻĻেāϰ āύিāϝ়āύ্āϤ্āϰিāϤ āĻীāĻŦāύেāϰ āĻŦ্āϝাāĻĒাāϰে āĻ
āϏāύ্āϤুāώ্āĻিāϰ āĻāĻĨা āĻাāĻ āĻāϰে āĻিāύ্āϤু āϏৌāĻাāĻ্āϝāĻŦāĻļāϤ āĻŦাāϰ্āύাāĻĄেāϰ āĻļাāϰীāϰিāĻ āĻĻুāϰ্āĻŦāϞāϤাāϰ āĻāĻĨা āĻাāĻ āĻāϰেāύি।
āĻĒ্āϰāĻৃāϤāĻĒāĻ্āώেāĻ āĻšেāϞāĻŽāĻিāĻ āĻুāĻŦāĻ āĻāĻāϰ্āώāύীāϝ়। āϏে āĻāϤāĻ āϏুāύ্āĻĻāϰ āϝে āĻāĻŽāϰা āϝāĻāύ āĻĒ্āϰāĻĨāĻŽ āϤাāĻে āĻĻেāĻি āϤāĻāύ āϤিāύāĻāύেāϰ āĻāĻāĻি āĻŽāĻšিāϞা āĻĻāϞ āϤাāĻে āĻĒ্āϰāϏ্āϤাāĻŦ āĻĻেāϝ়। āĻŦāϰং āϏে āĻĒ্āϰāϏ্āϤাāĻŦāĻিāĻে āĻ েāϞে āĻĻেāϝ় āĻāĻŦং āĻŦাāϤাāϏে āĻুāϞি āĻāϰে āĻŦাāϰ্āύাāĻĄāĻে āϏাāĻĨে āύিāϝ়ে āϤাāĻĻেāϰ āĻীāĻŦāύāĻে āύিāϝ়ে āϤাāϰা āĻāϤ āĻ
āϏāύ্āϤুāώ্āĻ āĻ āĻŦ্āϝাāĻĒাāϰে। āϏাāϰাāĻĻিāύ āϏে āĻšাāĻāύোāĻĒেāĻĄিāϝ়া āϞিāĻে āĻāĻŦং āĻŦāϞে āϏে āĻšেāϞāĻŽāĻšāĻ āĻ
āϧিāĻāϤāϰ āϤীāĻŦ্āϰ āĻāĻŦং āĻāĻŦেāĻāĻĒূāϰ্āĻŖ āĻিāĻু āϏৃāώ্āĻিāϰ āĻāĻ্āĻা āĻĒোāώāĻŖ āĻāϰে āĻিāύ্āϤু āϏে āĻাāύে āύা āϏেāĻি āĻি āĻšāϤে āĻĒাāϰে।
āĻĒāϰāĻŦāϰ্āϤীāϤে āĻāϏে āϞিāύিāϝ়াāϰ āϏাāĻĨে āĻŦাāϰ্āύাāĻĄেāϰ āϏāĻŽāϝ় āĻাāĻাāύোāϰ āĻĻিāύ। āϏে āϤাāϰ āϏাāĻĨে āĻāĻĨা āĻŦāϞে āϏāĻŽāϝ় āĻাāĻাāϤে āĻাāϝ় āĻিংāĻŦা āĻšাāϤ āϧāϰে āϏāĻŽুāĻĻ্āϰ āϤীāϰে āĻšাঁāĻāϤে āĻাāϝ়। āϏে āĻāĻ āĻŦ্āϝাāĻĒাāϰ āϞিāύিāϝ়াāĻে āĻāϞোāĻŽেāϞো āĻāϰে āĻĻেāϝ় āϝে āĻিāύা āĻŽাāĻĻāĻ āύিāϤে āĻাāϝ় āĻāĻŦং āϏāĻšāĻŦাāϏ āĻāϰāϤে āĻাāϝ়। āĻ
āĻŦāĻļেāώে āĻŦাāϰ্āύাāĻĄ āϤাāĻে āϏāĻŽ্āĻŽোāĻšāύী āϰাāϏ্āϤা āĻĻেāĻাāϝ় āĻিāύ্āϤু āϤাāϰ āϏাāĻĨে āĻŦিāĻাāύাāϝ় āϝাāĻŦাāϰ āĻāĻে āϤাāĻে āϏোāĻŽা āύাāĻŽেāϰ āĻŽাāĻĻāĻ āĻ্āϰāĻšāĻŖ āĻāϰāϤে āĻšāĻŦে। āĻĒāϰāĻŦāϰ্āϤী āĻĻিāύ āϏāĻাāϞে āϏে āĻĻুঃāĻ āĻĒ্āϰāĻাāĻļ āĻāϰে āĻāĻŦং āĻŦāϞে āϝে, āϏāĻšāĻŦাāϏে āϝাāĻŦাāϰ āĻāύ্āϝ āϤাāĻĻেāϰ āĻ
āĻĒেāĻ্āώা āĻāϰা āĻāĻিā§ āĻিāϞ।
āϏে āĻāĻāĻāύ āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ āĻšāϤে āĻাāϝ়, āĻļিāĻļু āĻšāϤে āĻাāϝ় āύা āϏে āĻĻেāĻāϤে āĻাāϝ় āĻাāĻŽāύা āĻāĻŦং āĻাāĻŽāύা āĻĒূāϰāĻŖেāϰ āĻŽāϧ্āϝেāϰ āϏāĻŽāϝ়āĻাāϤে āĻি āĻāĻে। āϞিāύিāϝ়া āϤা āĻŦুāĻāϤে āĻĒাāϰেāύি। āϤাāĻ āĻāĻāϏāĻŦ āĻāĻ িāύ āĻāĻŦং āĻ
āϏ্āĻŦāĻ্āĻāύ্āĻĻāĻĒূāϰ্āĻŖ āĻļāϰ্āϤেāϰ āĻāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āϞিāύিāϝ়া āύিāĻāĻŽেāĻ্āϏিāĻোāϤে āĻ
āĻŦāĻাāĻļে āϝাāĻŦাāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻāϰে। āĻŦāϰ্āĻŦāϰ āĻ
āύিāĻ্āĻা āĻি āϤুāĻŽি āĻাāύāϤে āĻাāĻāϤে āĻĒাāϰ। āĻŽূāϞāϤ āĻŦিāĻļ্āĻŦেāϰ āĻāĻāĻা āĻ
ংāĻļ āϝা āĻিāύা āĻĒ্āϰāϝুāĻ্āϤি / āĻŽāύ āύিāϝ়āύ্āϤ্āϰāĻŖেāϰ āĻāϤিāĻে āĻĒোāώāĻŖ āĻāϰāϤে āĻĒাāϰেāύি। āϏে āĻāϞে āϝাāĻŦাāϰ āĻāĻে āϤাāĻে āĻĄিāϰেāĻ্āĻāϰেāϰ āĻাāĻ āĻĨেāĻে āĻŦিāĻĻাāϝ় āύিāϤে āĻšāϝ় āϝে āĻিāύা āϤাāϰ āĻŦāϏ। āĻĄিāϰেāĻ্āĻāϰ āĻাāύাāϝ় āϝāĻāύ āϏে āϤāϰুāĻŖ āĻিāϞ āϏে āĻāĻāĻāύ āĻŽāĻšিāϞাāϰ āϏাāĻĨে āϏংāϰāĻ্āώāĻŖāĻļাāϞাāϝ় āĻিāϝ়েāĻিāϞ।
āϤাāϰāĻĒāϰ āϏে āĻŽāĻšিāϞাāĻিāĻে āĻšাāϰিāϝ়ে āĻĢেāϞে। āϏংāϰāĻ্āώāĻŖāĻļাāϞাāĻেāĻ āĻšাāϰিāϝ়ে āϝাāϝ় āĻāĻŦং āϤাāϰা āϤাāĻে āĻুঁāĻে āĻĒাāϝ় āύা āϝাāϰ āĻāύ্āϝ āϤাāĻে āĻāĻাāĻ āĻŦাāĻĄ়ি āĻĢিāϰāϤে āĻšāϝ়। āĻŦাāϰ্āύাāĻĄ āĻāĻāĻāύ āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻেāϰ āĻŽāϤ āĻ
āĻিāύāϝ় āĻļুāϰু āĻāϰে āĻāĻāĻāύ āĻŦাāĻ্āĻাāϰ āĻĒāϰিāĻŦāϰ্āϤে। āĻāĻĒাāϤāĻĻৃāώ্āĻিāϤে āϏāĻŦাāĻ āĻাāύে āĻŦāύ্āϧ āĻĻāϰāĻাāϰ āĻিāϤāϰে āĻি āĻšāĻ্āĻে। āĻŦাāϰ্āύাāĻĄ āĻŦিāĻĻ্āϰোāĻšীāϰ āĻŽāϤ āĻŦ্āϝāĻŦāĻšাāϰ āĻļুāϰু āĻāϰে āϝেāύ āϏে āϏāĻŽāϏ্āϤ āύিāϝ়āĻŽ āύীāϤি āĻেāĻ্āĻে āĻŦ্āϝāĻ্āϤি āĻšিāϏেāĻŦে āύিāĻেāĻে āĻĒ্āϰāϤিāώ্āĻ িāϤ āĻāϰেāĻে।
āϤাāϰāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āϞিāύিāϝ়াāϰ āϏাāĻĨে āϤাāϰ āĻ্āϰāĻŽāĻŖে āĻŦেāϰ āĻšāϝ়। āĻĻূāϰ্āĻাāĻ্āϝāĻŦāĻļāϤ āĻšেāϞāĻšেāĻāĻেāϰ āĻĢোāύ āĻāϞেāϰ āĻŽাāϧ্āϝāĻŽে āϏে āĻাāύāϤে āĻĒাāϰে āϝে, āĻĄিāϰেāĻ্āĻāϰ āϤাāĻে āĻāĻāĻি āĻĻ্āĻŦীāĻĒে āύিāϰ্āĻŦাāϏāύ āĻĻেāĻāϝ়াāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻāϰāĻে। āϤাāϰāĻĒāϰ āĻŦাāϰ্āύাāĻĄ āĻিāĻুāĻ্āώāĻŖ āĻ্āϝাāύāĻ্āϝাāύাāύি āĻāϰে, āĻāĻŦোāϞ āϤাāĻŦোāϞ āĻŦāϞে āϏোāĻŽা āĻ্āϰāĻšāĻŖ āĻāϰে āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĻূāϰে āϏāϰে āϝাāϝ়। āĻŦাāĻ্āĻাāϰা āĻŽāύেāϰেāĻ, āĻŽাāĻĻāĻāĻ āĻĒ্āϰāĻļ্āύেāϰ āĻāϤ্āϤāϰ āύāϝ়।
āĻāϤিāĻŽāϧ্āϝে āĻ
āĻŦāĻাāĻļ āĻāϞāĻŽাāύ āϝাāϰ āĻŽাāύে āĻšāĻ্āĻে āϏংāϰāĻ্āώāĻŖāĻļাāϞাāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻāĻŽāύ। āϏেāĻাāύে āϝা āĻĻেāĻেāĻে āϤাāϤে āϞিāύিāϝ়া āĻীāϤ। āĻĒ্āϰāϤ্āϝেāĻেāĻ āϏেāĻাāύে āύোংāϰা। āϏāĻŦাāϰ āĻĒāϰিāϧেāϝ় āĻাāĻĒāĻĄ় āĻেāĻĄ়া āĻāĻŽāύāĻি āϏāĻŦāĻিāĻুāĻ āĻĻুāϰ্āĻāύ্āϧāĻŽāϝ়। āĻ
āύ্āϝāĻĻিāĻে, āĻŦাāϰ্āύাāĻĄ āϏāϰ্āĻŦāĻĻা āĻŦৈāĻ্āĻাāύিāĻ āĻĒ্āϰāϤ্āϝাāĻļা āĻšāϤে āĻŦāϰ্āĻŦāϰāĻĻেāϰāĻে āĻĒāϰ্āϝāĻŦেāĻ্āώāύে āĻŦ্āϝāϏ্āϤ। āĻ্āϰāĻŽāύেāϰ āϏāĻŽāϝ় āϤাāϰা āĻāĻāĻি āϧāϰ্āĻŽীāϝ় āύাāĻ āĻĻেāĻে āϝেāĻাāύে āĻāĻāĻāύ āĻŦ্āϝāĻ্āϤি āĻĒ্āϰāĻুāĻে āĻুāĻļি āĻāϰাāϰ āĻāύ্āϝ āĻāĻ্āĻাāĻৃāϤāĻাāĻŦেāĻ āύিāĻেāĻে āύিāĻে āĻĒ্āϰāĻšাāϰ āĻāϰāĻে।
āĻĒāϰāĻŦāϰ্āϤীāϤে āϤাāϰা āĻāύ āύাāĻŽেāϰ āĻāĻāĻāύ āϏাāĻĻা āĻŽাāύুāώেāϰ āĻĻ্āĻŦাāϰা āĻ
āĻ্āϰāĻŦāϰ্āϤী āĻšāϝ়। āĻāύ āĻāĻ āϏংāϰāĻ্āώāĻŖāĻļাāϞাāϤেāĻ āĻŦেāĻĄ়ে āĻāĻ েāĻে। āĻāϞ্āĻĒāĻা āĻāĻŽāύ āϝে, āĻ
āύ্āϝ āĻোāύ āĻাāϝ়āĻা āĻšāϤে āϤাāϰ āĻŽা āĻāĻাāύে āĻāϏে āĻāĻŦং āĻ
āϏāĻšাāϝ় āĻšāϝ়ে āĻĒāĻĄ়ে। āĻĒāϰāĻŦāϰ্āϤীāϤে āϏে āĻāύāĻে āĻāύ্āĻŽ āĻĻেāϝ়। āĻŦাāϰ্āύাāĻĄ āĻĻুāĻāύāĻে āĻĒাāĻļাāĻĒাāĻļি āϰেāĻে āĻŦুāĻāϤে āĻĒাāϰে āϝে, āĻāύ āĻĄিāϰেāĻ্āĻāϰেāϰ āĻেāϞে।
āĻĒāϰāĻ্āώāύে, āĻāύ āĻāĻŦং āϞিāύিāϝ়া āĻāĻে āĻ
āĻĒāϰেāϰ āϏাāĻĨে āĻāĻীāϰ āĻĒ্āϰেāĻŽে āĻĒāĻĄ়ে। āĻāύ āϞিāύিāϝ়া āĻāĻŦং āĻŦাāϰ্āύাāĻĄāĻে āϤাāĻĻেāϰ āĻŦাāĻĄ়িāϤে āύিāϝ়ে āĻāϏে āĻāĻŦং āĻāĻাāύে āĻāĻŽāϰা āϤাāϰ āĻŽাāϝ়েāϰ āĻĻেāĻা āĻĒাāĻ āϝাāϰ āύাāĻŽ āϞিāύ্āĻĄা, āϤিāύি āϞিāύিāϝ়াāϰ āĻেāϝ়েāĻ āĻŦিāĻļ āĻŦāĻāϰেāϰ āĻŦāĻĄ় āĻšāĻŦেāύ।
āĻāĻাāύে āĻāϤ āĻŦিāĻļ āĻŦāĻāϰ āĻŦাāϏ āĻāϰা āĻ
āϤ্āϝāύ্āϤ āĻ
āϤ্āϝাāĻাāϰāĻŽূāϞāĻāĻ। āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āĻāύ āĻাāϞ āĻŦāύ্āϧু āĻšāϞো āĻাāϰāĻŖ "āϤাāϰা āĻĻুāĻāύāĻ āϤাāĻĻেāϰ āϏāĻŽাāĻ āĻšāϤে āύিঃāϏāĻ্āĻ। āĻŦাāϰ্āύাāĻĄেāϰ āĻাāϰāύ āĻšāĻ্āĻে āϤাāϰ āĻļাāϰীāϰিāĻ āϤ্āϰুāĻি āĻ
āύ্āϝāĻĻিāĻে āĻāύেāϰ āĻšāĻ্āĻে āϏেāĻ āĻāĻāĻŽাāϤ্āϰ āϏাāĻĻা āĻāĻাāύে āĻāĻŦং āϤাāϰ āĻŽāϤ āĻ
āύ্āϝāϤ্āϰ āĻুāĻŽাāϝ়। āĻŦাāĻ্āĻা āĻšāϤে āĻāύāĻে āĻুāĻļি āĻšāĻŦাāϰ āĻāĻāĻŽাāϤ্āϰ āĻāĻāĻা āĻিāύিāϏāĻ āĻāĻে āĻāϰ āϤা āĻšāĻ্āĻে “The complete works of William Shakespeare” āĻāĻāĻি āĻŦāĻ āϝা āϤাāϰ āĻŽা āϤাāϰ āĻāύ্āϝ āĻোāĻāĻŦেāϞাāϝ় āĻāύে। āĻāϰ āϤাāĻ āĻāύ āϏāϰ্āĻŦāĻĻা āĻļেāĻ্āϏāĻĒিāϝ়āϰেāϰ āĻāĻĻ্āϧৃāϤি āĻĻেāϝ় āĻāĻŦং āϏে āĻŽāύে āĻāϰে āĻāĻাāĻ āύিāĻেāĻে āĻĒ্āϰāĻাāĻļ āĻāϰাāϰ āϏāϰ্āĻŦোāϤ্āϤāĻŽ āĻāĻĒাāϝ়।
āĻŦাāϰ্āύাāĻĄāĻ āϤাāĻ āĻāϰāϤে āĻ
āĻ্āϰāĻŦāϰ্āϤী āĻšāϝ়। āϏে āĻĢ্āϝাāĻ্āĻāϰāĻে āĻĻেāĻাāϝ় āϝেāĻাāύে āĻĄিāϰেāĻ্āĻāϰ āĻāĻāĻি āĻŦāĻĄ় āϧāϰāύেāϰ āĻāϤ্āϤেāĻāύা āϏৃāώ্āĻি āĻāϰেāĻে āϤাāĻে āĻāύāϏāĻŽ্āĻŽুāĻে āĻুāϞি āĻুāĻĄ়ে āĻāĻŦং āĻāĻāĻি āĻĻ্āĻŦীāĻĒে āϤাāĻে āύিāϰ্āĻŦাāϏāύ āĻĻিāϝ়ে। āĻাāύāϤে āĻŦাāĻšিāϰে āĻāύে āĻŦাāϰ্āύাāĻĄ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻŦিāϰোāϧী āĻšāϝ় "āĻে āϏāĻŦ āĻিāĻু” āϤা āϏে āϞিāύ্āĻĄাāϰ āĻাāĻে āĻাāύāϤে āĻাāϝ়। āϏে āĻŦāϞে āϝে, āĻ āĻŦিāĻļ্āĻŦে āĻŦাāĻ্āĻাāϰা āĻŦোāϤāϞেāϰ āĻিāϤāϰ āĻŦেāĻĄ়ে āĻāĻ ে, āĻāύ্āĻŽ āύেāϝ় āύা। 'āĻŽা' āĻāĻŦং 'āĻŦাāĻŦা' āĻāĻ āϧাāϰāĻŖাāĻুāϞো āύোংāϰা āĻāĻŦং āĻĒ্āϰাāĻীāύ।
āĻāĻāĻাāĻŦে āĻļুāϰু āĻšāϝ় āĻāĻāĻি āĻŦৃāĻšā§ āĻāĻŦং āĻāϰুāĻŖāϰāϏāĻাāĻŦে āĻŦিāĻĒāĻĨে āĻাāϞিāϤ āĻāĻāĻি āϏাāĻŽাāĻিāĻ āĻĒāϰীāĻ্āώāĻŖ। āϞিāύ্āĻĄা āĻŽāύে āĻāϰে āϏে āĻāĻāĻāύেāϰ āĻāύ্āϝ āĻুāĻেāĻে āĻāϰ āϤাāĻ āϏāĻŽ্āĻĒূāϰ্āĻŖāϰূāĻĒে āϏোāĻŽাāϤে āĻāϏāĻ্āϤ āĻšāϝ়েāĻে āϝাāϰ āĻŽাāϧ্āϝāĻŽে āϏে āĻŦাāϏ্āϤāĻŦāϤা āĻšāϤে āĻĻূāϰে āĻāĻে। āĻĒ্āϰāϤ্āϝেāĻেāĻ āĻাāύে āĻুāĻŦ āĻ
āϞ্āĻĒ āϏāĻŽāϝ়েāϰ āĻŽāϧ্āϝে āĻāĻা āϤাāĻে āĻšāϤ্āϝা āĻāϰāĻŦে āĻিāύ্āϤু āĻেāĻāĻ āĻ āĻŦ্āϝাāĻĒাāϰে āϤাāϰ āĻĒ্āϰāϤি āϏāĻĻāϝ় āύāϝ় āĻāĻāĻŽাāϤ্āϰ āĻāύ āĻাāĻĄ়া āĻāĻŦং āĻেāĻāĻ āĻāύāĻে āĻļুāύে āύা। āĻŦাāϰ্āύাāĻĄ āĻāύāĻে āϤাāϰ āĻāĻŦিāώ্āĻাāϰ āĻĻেāĻাāϤে āĻļুāϰু āĻāϰে āϝা āϤাāĻে āϤাāϰ āĻাāĻো āĻšāĻāϝ়াāϰ āĻāύ্āϝ āϤাāĻে āĻ্āώāϤিāĻĒূāϰāĻŖ āĻĻিāĻŦে। āĻāĻāύ, āĻāĻাāĻŦেāĻ āϏে āĻŦিāĻ্āϝাāϤ। āĻŦাāϰ্āύাāĻĄ āĻāĻāύ āϤাāϰ āĻāĻেāϰ āĻāĻāĻ āϏāϤ্āϤ্āĻŦা āĻšāĻāϝ়াāϰ āĻāĻাāĻ্āĻাāĻে āĻুāϞে āĻেāĻে। āĻšেāϞāĻŽāĻšāĻāĻ āĻ
āĻĒāϰāĻĒāĻ্āώে āĻāύেāϰ āϏাāĻĨে āĻŦāύ্āϧুāϤ্āĻŦ āĻāϰে āĻāĻŦং āϤাāϰা āĻĻুāĻāύ āĻāĻে āĻ
āĻĒāϰেāϰ āϏাāĻĨে āϏ্āĻĒāϰ্āĻļāĻাāϤāϰ āĻŽুāĻšুāϰ্āϤ āĻাāĻ āĻāϰে āĻļেāĻ্āϏāĻĒিāϝ়āϰেāϰ āĻŦāĻāϝ়েāϰ āĻāĻĒāϰ āϝা āĻāύ āϏাāĻĨে āĻāύেāĻিāϞ।
āĻāϤিāĻŽāϧ্āϝে, āĻāύ āϏāĻ্āϝ āϏāĻŽাāĻেāϰ āϏাāĻĨে āϤāϤāĻা āĻāĻৃāώ্āĻ āĻšāϤে āĻĒাāϰেāύি। āϏে āϏāĻŦ āĻĒ্āϰāϝুāĻ্āϤি āĻāĻŦং āϏ্āĻŦāĻ্āĻāύ্āĻĻāĻে āĻĒāĻāύ্āĻĻ āĻāϰে āĻিāύ্āϤু āϝে āĻĒ্āϰāĻ্āϰিāϝ়াāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āĻŽাāύুāώ āĻšāϝ় āϤা āϏে āĻĒāĻāύ্āĻĻ āĻāϰেāύি। āϞিāύিāϝ়াāϰ āĻĒ্āϰāϤি āϤাāϰ āĻāϏāĻ্āϤি āĻāĻে āĻিāύ্āϤু āϏে āϝেāĻাāύ āĻšāϤে āĻāϏেāĻে āϏেāĻাāύে āĻŦিāϝ়েāϰ āĻāĻে āϏāϤিāϤ্āĻŦ āĻāĻāĻি āĻ
āϤীāĻŦ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻŦ্āϝাāĻĒাāϰ। āĻāĻšা āϞিāύিāϝ়াāĻে āĻāϞোāĻŽেāϞো āĻāϰে āĻĻেāϝ় āϝে āĻিāύা āĻĒ্āϰāĻৃāϤāĻĒāĻ্āώে āĻāύেāϰ āϏাāĻĨে āϏāĻšāĻŦাāϏ āĻাāϝ় āĻāĻŦং āĻীāĻŦāύে āĻĒ্āϰāĻĨāĻŽāĻŦাāϰেāϰ āĻŽāϤ āϏে āĻāĻ āĻŦ্āϝāϰ্āĻĨ āĻšāϝ়। āϝāĻāύ āϏে āĻāύāĻে āϏāĻšāĻŦাāϏেāϰ āĻāĻĨা āĻŦāϞে āĻāύ āϤাāĻšাāĻে āĻĒāϤিāϤা āĻšিāϏেāĻŦে āύেāϝ় āĻāĻŦং āĻļেāĻ্āϏāĻĒিāϝ়āϰেāϰ āĻিāĻু āĻāĻĻ্āϧৃāϤি āĻļোāύাāϝ়। āϝেāĻাāύে āĻŦāϞা āĻšāϝ়েāĻে āĻিāĻাāĻŦে āĻāĻāĻāύেāϰ āĻŦিāϝ়েāϰ āĻāĻে āϏāϤীāϤ্āĻŦেāϰ āĻŦāύ্āϧāύ āύা āĻোāϞাāϰ āĻāĻĨা āĻŦāϞা āĻšāϝ়েāĻে।
āϞিāύ্āĻĄা āĻāĻāύো āϏোāĻŽাāϝ় āĻāϏāĻ্āϤ, āĻāύ āĻšাāϏāĻĒাāϤাāϞে āĻĒৌāĻাāϰ āĻĒāϰ āĻĒāϰāĻ āĻŽৃāϤ্āϝুāĻŦāϰāĻŖ āĻāϰে। āϏে āĻĻুঃāĻ āĻাāϰাāĻ্āϰাāύ্āϤ āĻিāύ্āϤু āĻāĻ āύāϤুāύ āĻŦিāĻļ্āĻŦে āϏāĻŦাāĻāĻে āϏāϤāϰ্āĻ āĻāϰা āĻšāϝ়েāĻে āϝেāĻাāύে āĻŽৃāϤ্āϝুāĻে āĻāĻāĻি āĻŦāĻĄ় āϧāϰāύেāϰ āĻŦ্āϝাāĻĒাāϰ āĻšিāϏেāĻŦে āĻĻেāĻāϤে āύা āĻāϰা āĻšāϝ়েāĻে। āϤাāĻ āĻেāĻ āϤাāϰ āĻāĻŦেāĻ āĻŦুāĻে āύা। āĻāϰ āĻŽাāϧ্āϝāĻŽে āϰাāĻাāύ্āĻŦিāϤ āĻšāϝ়ে āĻāĻŦং āϤাāϰ āĻŽাāϝ়েāϰ āĻŽৃāϤ্āϝুāϰ āĻĒাāϰিāĻĒাāϰ্āĻļ্āĻŦিāĻāϤাāϝ় āĻāĻŦং āϞিāύিāϝ়া āϤাāϰ āϏāϤীāϤ্āĻŦ āĻেāĻĄ়ে āύিāϤে āĻেāϝ়েāĻিāϞ āϝাāϰ āĻāύ্āϝ āϏে āĻাāύ্āύাāϝ় āĻেāĻ্āĻে āĻĒāĻĄ়ে।
āϏে āĻĻেāĻে āϝে, āĻāĻāĻĻāϞ āĻĄেāύ্āĻা āϏোāĻŽা āύেāϝ়াāϰ āĻāύ্āϝ āĻĻাঁāĻĄ়িāϝ়ে āĻāĻে āĻāĻŦং āĻāϝ়েāĻ āĻĄāĻāύ āĻŽাāĻĻāĻ āĻŽāĻ্āϏ āĻাāύাāϞা āĻĻিāϝ়ে āĻŽুāϰāĻীāϰ āĻŦাāĻ্āĻাāϰ āĻŽāϤ āύিāϝ়ে āϝাāϝ়। āĻāĻļাāϰ āĻāĻāĻু āĻāĻে āϝাāϰা āϤাāĻĻেāϰāĻে āĻļাāύ্āϤ āĻāϰে āĻāĻŦং āϤিāύāĻāύāĻে āϧāϰে āύিāϝ়ে āĻাāϰāĻাāϰে āĻĻেāϝ়। āĻŽোāϏ্āϤāĻĢা āĻĒ্āϰāĻাāĻļ āĻāϰে āϝে, āϏে āĻেāĻŽিāϏ্āĻ āĻšāϤে āĻেāϝ়েāĻিāϞ āĻিāύ্āϤু āĻŦৈāĻļ্āĻŦিāĻ āϏুāĻāĻে āϏেāĻŦা āĻĻিāϤে āĻিāϝ়ে āϏে āĻŦিāĻ্āĻাāύāĻে āϤ্āϝাāĻ āĻāϰে। āϏে āĻšেāϞāĻšāĻāĻāĻে āĻাāύাāϝ় āϝে, āĻĻ্āĻŦীāĻĒে āύিāϰ্āĻŦাāϏāύ āĻĻেāϝ়াāĻা āĻিāϞ āϏāĻŦāĻেāϝ়ে āĻŦāĻĄ় āĻŦ্āϝাāĻĒাāϰ āĻাāϰāĻŖ āϤুāĻŽি āĻāĻাāύে āϏāĻŦ āϞোāĻেāϰ āϏাāĻĨে āϏাāĻ্āώাā§ āĻāϰāϤে āĻĒাāϰāĻŦে āϝাāϰা āĻিāύা āϤাāĻĻেāϰ āĻীāĻŦāύ āύিāϝ়ে āĻŦ্āϰেāĻāύ āĻāϝ়াāϏāĻĄ āĻšāϝ়েāĻে। āĻšেāϞāĻšāĻāĻ āĻāĻ āĻāĻĨাāϰ āϏাāĻĨে āϏāĻŽ্āĻŽāϤ āĻšāϝ় āĻāĻŦং āĻĻ্āĻŦীāĻĒে āϤাāϰ āĻীāĻŦāύāĻে āĻ
āϤিāĻŦাāĻšিāϤ āĻāϰাāϰ āĻāύ্āϝ āĻĒ্āϰāĻĢুāϞ্āϞ āĻšāϝ়ে āĻ
āĻ্āϰāĻŦāϰ্āϤী āĻšāϝ়ে āĻāϞে āϝাāϝ়।
āĻāĻা āĻāύ āĻ āĻŽোāϏ্āϤāĻĢাāĻে āϤ্āϝাāĻ āĻāϰে āϝাāϰা āĻিāύা āĻĻীāϰ্āĻ, āϏাāĻšিāϤ্āϝেāϰ āĻāĻĒāϰ, āĻāĻŦেāĻ, āĻ
āύুāĻূāϤি, āĻĻুঃāĻ, āĻĒ্āϰāĻু āϏāĻŽ্āĻĒāϰ্āĻে āĻĻীāϰ্āĻ āĻļিāĻ্āώাāĻŽূāϞāĻ āĻŦিāϤāϰ্āĻে āύিāϝুāĻ্āϤ āĻিāϞ। āĻāύ āĻāĻ āĻŦāϞে āĻļেāώ āĻāϰে āϝে āϤাāϰ āĻāĻŽāύ āĻāĻāĻা āĻীāĻŦāύ āĻĻāϰāĻাāϰ āύেāĻ āϝেāĻাāύে āĻŽাāύুāώāĻāύ āϏāϰ্āĻŦāĻĻাāĻ āϏুāĻী। āϏে āĻ
āϏুāĻী āĻšāĻŦাāϰ āĻিংāĻŦা āĻোāĻাāϰ āϏ্āĻŦাāϧীāύāϤা āĻাāϝ়। āĻāĻ āĻŦিāĻļাāϞ āĻāϞোāĻāύাāϰ āϏāϤ্āϤ্āĻŦেāĻ āĻŽোāϏ্āϤāĻĢা āĻāύāĻে āĻšেāϞāĻšেāĻāĻ āĻāϰ āϏাāĻĨে āĻĻ্āĻŦীāĻĒে āĻŦাāϏ āĻāϰāϤে āĻĻিāϤে āĻাāϝ় āύা। āϏে āϏাāĻŽাāĻিāĻ āĻĒāϰীāĻ্āώāĻŖāĻি āĻāϞāĻŽাāύ āϰাāĻāϤে āĻাāϝ়। āĻāϝ়ে āĻāύ āĻāĻāĻি āĻĒāϰিāϤ্āϝāĻ্āϤ āϞাāĻāĻ āĻšাāĻāĻে āĻĒাāϞিāϝ়ে āϝাāϝ় āĻāĻŦং āύিāĻে āύিāĻে āĻ
āύাāĻšাāϰী āĻļুāϰু āĻāϰে। āĻĒ্āϰāĻৃāϤāĻĒāĻ্āώে āϞিāύিāϝ়া āύিāĻেāĻ āĻāĻĒāϏ্āĻĨিāϤ āĻšāϝ়। āĻāύ āϤাāĻে āĻāĻāĻাāĻŦে āĻāĻāĻি āϏāĻšāĻŦাāϏেāϰ āĻŽাāϧ্āϝāĻŽে āĻĒাāĻāϝ়াāϝ় āύিāĻেāĻে āύিāĻে āĻৃāĻŖা āĻāϰে। āϤাāĻ āϏে āύিāĻেāĻে āĻĒ্āϰāĻšাāϰ āĻāϰে āĻĒāϰāĻŦāϰ্āϤীāϤে āϞিāύিāϝ়াāĻে। āĻ
āĻŦāĻļ্āϝāĻ āϏেāĻাāύে āĻāĻāĻি āĻŦāĻĄ় āϧāϰāύেāϰ āĻāĻŽাāϝ়েāϤ āĻšāϝ় āĻাāϰāĻŖ āϤাāϰা āϝে āϏিāύেāĻŽা āĻ
āĻিāύীāϤ āĻšāϝ়েāĻে āϤা āĻĻেāĻāϤে āĻাāϝ়। āĻāϰ āĻāĻাāĻŦেāĻ āϤাāϰাāĻ āĻ
ংāĻļ āύেāϝ়, āĻāĻে āĻ
āĻĒāϰāĻে āĻĒ্āϰāĻšাāϰ āĻāϰে।
āĻĒāϰāĻŦāϰ্āϤী āĻĻিāύ āϏāĻŦাāĻ āĻāϞে āĻেāϞে āĻāύ āĻāĻ ে āĻāĻŦং āĻŽāύে āĻāϰে āϝে āĻšৈ āĻšুāϞ্āϞুāϰেāϰ āĻŽāϧ্āϝে āϏে āϞিāύিāϝ়াāϰ āϞাāĻāĻ āĻšাāĻāĻেāϰ āĻŦāĻĄ়āĻা āĻšāϤে āύিāĻেāĻে āĻুāϞিāϝ়ে āĻĻেāϝ়। āĻāĻŽāϰা āĻāĻĒāύ্āϝাāϏāĻি āĻļেāώ āĻāϰি āĻāύেāϰ āĻŽৃāϤ āĻŦাāϤাāϏেāϰ āϏাāĻĨে āĻāĻŦāϰ্āϤিāϤ āĻšāĻ্āĻে āĻāĻŽāύ āĻāĻāĻি āĻিāϤ্āϰ āĻĻিāϝ়ে। āĻāĻŽāϰা āĻŽāύে āĻāϰি āĻāĻšা āĻŦāϞা āύিāϰাāĻĒāĻĻ āϝে, āĻেāĻ āϏুāĻীāĻাāĻŦে āĻŦাāϏ āĻāϰে āύা, āĻāĻ āĻāϞ্āĻĒেāϰ āĻĒāϰ āĻšāϤে āĻāĻāύোāĻ āύা। āĻāĻা āϤাāĻĻেāϰ āĻŽāϧ্āϝে āĻŦিāĻĻ্āϰোāĻšেāϰ āĻāύ্āĻŽ āĻĻেāϝ়। āĻŦাāϰ্āύাāĻĄ āĻāĻŦং āĻšেāϞāĻšāĻāĻ āĻĻৃāĻļ্āϝে āĻāϏে āĻāĻĒāϏ্āĻĨিāϤ āĻšāϝ় āĻĒুāϞিāĻļ।
English Summary (āĻংāϰেāĻি āϏাāĻŽাāϰি āĻŦা āϏাāϰাংāĻļ)
The novel is set in A.F. 632, approximately seven centuries after the twentieth century. A.F. stands for the year of Ford, named for the great industrialist Henry Ford who refined mass production techniques for automobiles. World Controllers rule the world and ensure the stability of society through the creation of a five-tiered caste system. Alphas and Betas are at the top of the system and act as the scientists, politicians, and other top minds, while Gammas, Deltas, and Epsilons are at the bottom and represent the world's industrial working class. A drug called soma ensures that no one ever feels pain or remains unhappy, and members of every caste receive rations of the drug. Pre- and post-natal conditioning further ensures social stability.
Brave New World opens with the Director of the Central London Hatchery and Conditioning Centre giving a group of young students a tour of the facilities. An assembly line creates embryos using the latest advancements in science. The students view the various techniques for producing more babies and watch as the process segregates babies into various castes. After the babies are decanted from their bottles, they are conditioned through Neo- Pavlovian conditioning and hypnopedia. In Neo-Pavlovian conditioning, babies enter a room filled with books and roses. When the babies approach the books or the roses, alarms and sirens sound, and the babies receive a small electric shock, which frightens them so that when they confront the same items for a second time, they recoil in fear. Hypnopedia teaches babies and children while they are asleep by playing ethical phrases numerous times so that the phrases will become a subconscious part of each person.
The World Controller of Western Europe, His Fordship Mustapha Mond appears and gives the students a lecture about the way things used to be. Before the Utopian world order was established, he explains that people used to be parents and have children through live birth. This existence led to dirty homes with families where emotions got in the way of happiness and stability. The first world reformers tried to change things, but the old vernments ignored them. War finally ensued, culminating in the use of thrax bombs. After the so-called Nine Years' War, the world suffered rough an economic crisis. Exhausted by their disastrous living conditions people finally allowed the world reformers to seize control. The reformers soon eradicated religion, monogamy, and most other individualistic traits. and they stabilized society with the introduction of the caste system and the use of soma.
Bernard Marx is introduced as a short, dark haired Alpha who is believed to have accidentally received a dose of alcohol as a fetus on the assembly line. His coworkers dislike him and talk about him in derogatory tones. Bernard has a crush on Lenina Crowne, another Alpha, and she informs the reader that he asked her to go with him to the Savage Reservations several weeks earlier. Lenina has been dating Henry Foster for the past several months, but since long-term relationships are discouraged, she agrees to go with Bernard Marx to the Reservations.
Bernard goes to Tomakin, the Director, and gets the Director's signature to enter the Reservations. The Director tells a story about how he went there twenty-five years earlier with a woman. During a storm, she became lost. and circumstances forced him to leave her there. The Director then realizes he should not have told Bernard this story and defensively begins to yell at him. Bernard leaves unruffled and goes to talk to his good friend Helmholtz Watson about his meeting with the Director.
Helmholtz Watson is an intellectually superior Alpha who has become disillusioned with the society. He is tired of his work, which consists of writing slogans and statements to inspire people. Helmholtz indicates that he is searching for a way of expressing something, but he still does not know what. He pities Bernard because he realizes that neither of them can completely fit into the society.
Bernard flies with Lenina to the Savage Reservations. While there he realizes he left a tap of perfume running in his room, and so he calls Helmholtz Watson to ask him to turn it off. Helmholtz tells him that the Director is about to transfer Bernard to Iceland because Bernard has been acting so antisocial lately.
Bernard and Lenina enter the compound and watch the Indians perform a ritualistic dance to ensure a good harvest. A young man named John approaches them and tells them about himself. He was born to a woman named Linda who had been left on the Reservation nearly twenty-five years earlier. John is anxious to learn all about the Utopian world. Linda turns out to be the woman that the Director took to the Reservation and left there. She was unable to leave because she became pregnant with John, and since the Utopian society finds the notion of live birth disgusting, mothers and children are taboo topics.
Bernard realizes that John and Linda could save him from a transfer to Iceland. He calls Mustapha Mond and receives approval to bring them back to London. When Bernard finally returns, he has to meet with the Director in public. The Director publicly shames him and informs Bernard that he must go to Iceland. Bernard laughs at this and introduces Linda and John. At the disclosure of his past, the Director is so humiliated that he resigns. Bernard becomes an overnight celebrity due to his affiliation with John Savage, whose good looks and mysterious past make him famous. Reveling in his sudden popularity, Bernard starts to date numerous women and becomes extremely arrogant.
Bernard eventually hosts a party with several prominent guests attending. John refuses to come and meet them, which embarrasses Bernard in front of his guests. The guests leave in a rage while Bernard struggles to make amends. John is happier afterwards because Bernard must be his friend again.
Helmholtz and John become very good friends. Helmholtz has gotten into trouble for writing a piece of poetry about being alone and then reading it to his students. John pulls out his ancient copy of the Complete Works of Shakespeare and starts to read. The fiery passion of the language overwhelms Helmholtz, who realizes that this is what he has been trying to write.
Lenina has developed a crush on John the Savage, and she finally decides to go see him. After a few minutes, he tells her that he loves her. Lenina is very happy to hear this and strips naked in front of him in order to sleep with him. Immediately taken aback, John becomes extremely angry with her. Crying "Strumpet!" he hits her and chasse her into the bathroom. Fortunately for Lenina, a phone call interrupts John and he rushes off.
John goes to the hospital where Linda has finally succumbed to taking too much soma. While he tries to visit her, a large group of identical twins arrives for their death conditioning. They notice Linda and comment on how ugly she is. John furiously throws them away from her. He then talks to Linda, who starts asking for Pope, an Indian she lived with back on the Reservation. John wants her to recognize him and so he starts to shake her She opens her eyes and sees him but at that moment, she chokes and passes away. John blames himself for her death. The young twins again interrupt him, and he silently leaves the room.
When he arrives downstairs, John sees several hundred identical twins waiting in line for their daily ration of soma. He passionately thinks that he can change the society and tells them to give up on the soma that is poisoning their minds. He grabs the soma rations and starts to throw the soma away. The Deltas get furious at this and start to attack him. Bernard and Helmholtz receive a phone call telling them to go to the hospital. When they arrive and find John in the middle of a mob, Helmholtz laughs and goes to join him. Bernard stays behind because he fears the consequences.
All three men are taken to meet Mustapha Mond who turns out to be an intellectual. He tells Bernard and Helmholtz that they must go to an island where other social outcasts are sent. The island is for people who have become more individualistic in their views and can no longer fit in with the larger society.
John and Mustapha engage in a long debate over why the society must have its current structure. John is upset by the regulation and banning of history, religion, and science. Mustapha tells him that the society's design maximizes each person's happiness. History, religion, and science only serve to create emotions that destabilize society and thus lead to unhappiness. In order to ensure perfect stability, each person receives conditioning and learns to ignore things that would lead to instability. John continues protesting. The climax of the book comes when Mustapha tells John, "You are claiming the right to be unhappy." Mustapha then mentions a long list of mankind's ills and evils. John replies, "I claim them all."
Mustapha sends Bernard and Helmholtz away to an island, but refuses to allow John to leave. He tells John that he wants to continue the experiment a little longer. John runs away from London to an abandoned lighthouse on the outskirts of the city, where he sets up a small garden and builds bows and arrows. To alleviate his guilty conscience over Linda's death, Join makes a whip and hits himself with it. Some Deltas witness him in self- flagellation, and within three days, reporters show up to interview him. He manages to scare most of them away.
However, one man catches John beating himself and films the entire event. Within a day hundreds of helicopters arrive, carrying people who want to see him beat himself. John cannot escape them all. Lenina and Henry Foster also arrive and when John sees Lenina, he starts to beat her with the whip. The crowd soon begins to chant "Orgy-porgy," a sensual hymn used to generate a feeling of oneness. John loses himself within the crowd and wakes up the next day after taking soma and engaging in the sensual dance of the hymn. He is overwhelmed with guilt and self-hatred. That evening he is found dead in the lighthouse as he hangs from an archway.
Themes of The Novel
- Commodification.
- Dystopia.
- Freedom.
- Human Impulse.
- The Power of Knowledge.
- Utilitarian Happiness.
- The Transformation of Human Relationship.
- The Limits of Science.
